Shrek
The Politics and Aesthetics of Dreamworks' Digital Fairy Tale
Bloomsbury Academic (Publisher)
Will be published approx. on 18. March 2027
Book
Hardback
256 pages
979-8-7651-3025-4 (ISBN)
Description
This book is a comprehensive analytical study of stop-motion studio DreamWorks Animation's 2001 breakthrough hit Shrek.
On its release in 2001, Shrek (Andrew Adamson & Vicky Jenson) became an international smash hit, a breakthrough success for the upstart DreamWorks Animation studio, and a milestone in the history of the computer-animated feature film. Today, the film stands as one the most influential animated movies of the 21st century, and its main character as an icon on internet counterculture. This book brings together an international group of scholars from animation studies and beyond, to explores a wide range of topics from a diverse set of academic perspectives. It looks at the film's representation of gender, race, disability, and queerness, and its relationship with the Disney studio and its audiences. Other chapters focus on its music and costumes, its aesthetics and and performances, its themes and motifs, and its curious online afterlife. Together, these essays seek to peel back the film's many layers, contextualize it in the history of contemporary animation and postmodern popular culture, and explain its long-lasting impact.More details
Language
English
Product notice
sewn/stitched
Cloth over boards
With dust jacket
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 25 mm
Weight
454 gr
ISBN-13
979-8-7651-3025-4 (9798765130254)
Schweitzer Classification
Persons
Sam Summers lectures in Animation History & Theory at Middlesex University, UK. He is the author of DreamWorks Animation: Intertextuality and Aesthetics in Shrek and Beyond (2020) and the co-editor of Toy Story: How Pixar Re-Invented the Animated Feature (Bloomsbury, 2018). His specialisms include computer animation, intertextuality, adaptation and aesthetics, and he has published numerous articles and book chapters on these subjects. He is the co-convener of the Animation SIG at BAFTSS, and the co-host of the animation history podcast Disniversity.