
Master Olof
A Drama in Five Acts
August Strindberg(Author)
ALPHA EDITION (Publisher)
Published on 20. January 2023
Book
Paperback/Softback
114 pages
978-93-5690-842-0 (ISBN)
Description
Master Olof: A Drama in Five Acts, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
More details
Language
English
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 6 mm
Weight
178 gr
ISBN-13
978-93-5690-842-0 (9789356908420)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).