
Reimagining Music Theory
Contexts, Communities, Creativities
Chris Stover(Author)
Routledge (Publisher)
1st Edition
Will be published approx. on 22. June 2026
Book
Paperback/Softback
182 pages
978-1-032-15980-5 (ISBN)
Description
Reimagining Music Theory: Contexts, Communities, Creativities invites instructors to rethink how we teach music theory, challenging the traditional, classical canon-based pedagogy and offering new and alternative approaches.
The study and teaching of music theory are at a crucial and invigorating crossroads, as conversations are being held about contesting canons, transforming pedagogical practices, and finding meaningful ways to make the field inclusive and diverse in repertoire, methods, and student experiences. This book aims to reimagine music theory as an explicitly and radically dialogic, creative, nimble transdisciplinary space where thinking and acting can be both deep and broad, where pluralities of knowledge systems and ways of doing and being can interact and mutually inform one another, and where teachers learn from students as much as the other way around. Rethinking what counts as music fundamentals, opening music theory to a plurality of global practices, and considering music theory as a creative and community practice are all addressed.
Incorporating interviews with scholar-teachers at the forefront of innovative music theory pedagogy throughout, the book offers music theory professors and instructors frameworks for enacting meaningful change in the music theory classroom.
The study and teaching of music theory are at a crucial and invigorating crossroads, as conversations are being held about contesting canons, transforming pedagogical practices, and finding meaningful ways to make the field inclusive and diverse in repertoire, methods, and student experiences. This book aims to reimagine music theory as an explicitly and radically dialogic, creative, nimble transdisciplinary space where thinking and acting can be both deep and broad, where pluralities of knowledge systems and ways of doing and being can interact and mutually inform one another, and where teachers learn from students as much as the other way around. Rethinking what counts as music fundamentals, opening music theory to a plurality of global practices, and considering music theory as a creative and community practice are all addressed.
Incorporating interviews with scholar-teachers at the forefront of innovative music theory pedagogy throughout, the book offers music theory professors and instructors frameworks for enacting meaningful change in the music theory classroom.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Postgraduate and Professional
Illustrations
11 s/w Zeichnungen, 11 s/w Abbildungen
11 Line drawings, black and white; 11 Illustrations, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 10 mm
Weight
268 gr
ISBN-13
978-1-032-15980-5 (9781032159805)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
12/2024
1st Edition
Routledge
€60.99
Available for download

E-Book
12/2024
1st Edition
Routledge
€60.99
Available for download

Book
12/2024
1st Edition
Routledge
€195.90
Shipment within 10-20 days
Person
Chris Stover is Associate Professor in Music Studies and Research at Queensland Conservatorium, Griffith University, Australia.
Content
1 Introduction: what is music theory for? 2 Fundamentals from the ground up 3 Practicing music theory 4 Close, contextual, and creative listening 5 Music theory in the community: who is a music theorist? 6 Toward a decolonial analytics: what's at stake? 7 Doing decolonial and deimperial music theory Afterword: Music theory and artistic research