
Conservation of Easel Paintings
Routledge (Publisher)
2nd Edition
Published on 30. November 2020
Book
Hardback
948 pages
978-0-367-02379-9 (ISBN)
Description
Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings.
Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists' materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included.
Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists' materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included.
Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
More details
Series
Edition
2nd edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Illustrations
315 Farbfotos bzw. farbige Rasterbilder, 5 farbige Zeichnungen, 24 s/w Tabellen, 320 farbige Abbildungen
24 Tables, black and white; 5 Line drawings, color; 315 Halftones, color; 320 Illustrations, color
Dimensions
Height: 246 mm
Width: 189 mm
Weight
2520 gr
ISBN-13
978-0-367-02379-9 (9780367023799)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Joyce Hill Stoner | Rebecca Rushfield
Conservation of Easel Paintings
Book
05/2022
2nd Edition
Routledge
€95.50
Shipment within 15-20 days

Joyce Hill Stoner | Rebecca Rushfield
Conservation of Easel Paintings
E-Book
11/2020
2nd Edition
Routledge
€101.99
Available for download

Joyce Hill Stoner | Rebecca Rushfield
Conservation of Easel Paintings
E-Book
11/2020
2nd Edition
Routledge
€101.99
Available for download
Persons
Joyce Hill Stoner is Rosenberg Professor in the Art Conservation Department at the University of Delaware/Winterthur Museum, where she has taught paintings conservation since 1976. She was awarded the American Institute for Conservation's Lifetime Achievement award in 2003 and the CAA/Heritage Preservation Award for Distinction in Scholarship and Conservation in 2011.
Rebecca Rushfield is a New York City-based conservation consultant with an interest in the history and literature of the field. She is active in the work of the American Institute for Conservation and the ICOM Committee for Conservation, and received the Gettens Award for outstanding service to the AIC.
Rebecca Rushfield is a New York City-based conservation consultant with an interest in the history and literature of the field. She is active in the work of the American Institute for Conservation and the ICOM Committee for Conservation, and received the Gettens Award for outstanding service to the AIC.
Content
Part I: Technical Art History, Examination, Documentation, and Scientific Analysis 1. Art Technological Source Research: Documentary Sources on European Painting to the Twentieth Century, with Appendices I-VII 2. Exploring the Grammar of Oil Paint through the use of Historically Accurate Reconstructions 3. Collecting and Archiving Information from Living Artists for the Conservation of Contemporary Art A History of Western Easel Painting Materials from the Early Renaissance to 2020 4. History and Use of Panels or other Rigid Supports for Easel Paintings 5. History of Fabric Supports 6. Stretchers, Tensioning, and Attachments 7. Grounds, 1400-1900 Including: Grounds in the Twentieth Century and Beyond 8. Pigments in Western Easel Painting 9. Ageing and Deterioration of Traditional Oil and Tempera Paints 10. Modern Paints 10.1 Modern Synthetic Polymer Paints 10.2 Modern Oil Paints 11. A Brief Survey of Historical Varnishes 12. Varnishing of Acrylic Paintings by Artists Techniques of Examination and Documentation used by the Conservator and Conservation Scientist 13. Written Documentation for Paintings Conservation 14. Image Documentation for Paintings Conservation 15. Notes on the History of Conservation Documentation: Examples from the UK and USA 16. The Classification of Craquelure Patterns 17. The Technical Examination and Documentation of Easel Paintings 18. Optical Microscopy 19. Identification of Textile Fibres found in Common Painting Supports 20. Cross-Section Microscopy Analysis and Fluorescent Staining 21. A History of Early Scientific Examination and Analysis of Painting Materials ca.1780 to the Mid-Twentieth Century 22. Research and Analysis of the Materials of Easel Paintings Part II: Methods and Approaches For The Treatment and Care of Easel Paintings Structural Conservation of Easel Paintings 23. Consolidation of Flaking Paint and Ground 24. Tear Mending and other Structural Treatments of Canvas Paintings, before or instead of Lining 25. Lining Easel Paintings 26. The Structural Conservation of Paintings on Wooden Panel Supports The Cleaning of Easel Paintings 27. Picture Cleaning: Positivism and Metaphysics 28. Research on the Pettenkofer Method and the Historical Understanding of Paint Film Swelling and Interaction 29. Considerations on Removing or Retaining Overpainted Additions and Alterations 30. Aqueous Methods for the Cleaning Of Paintings 31. Removal of Varnish: Organic Solvents as Cleaning Agents 32. Case Study in the use of Lasers to remove Overpaint from Ad Reinhardt's Abstract Painting, 1960-66 33. Cleaning Concerns for Acrylic Emulsion Paints Compensation: Filling, Retouching/Inpainting, Varnishing (Or Not) 34. History of Visual Compensation for Paintings 35. Filling 36. The Imitative Retouching of Easel Paintings 37. Varnishing as Part of the Conservation Treatment of Easel Paintings Part III: Preventive Conservation, Health and Safety, Outreach, and Professional Organizations 38. Travelling Exhibitions and Transporting Paintings 39. Storage of Easel Paintings 40. The Lighting of Easel Paintings 41. Understanding the Deterioration of Paintings by Microorganisms and Insects 42. The Sustainable Conservation Management of Exhibitions 43. Emergency Preparedness and Recovery 44. Framing, Glazing, Backing, and Hanging of Paintings on Canvas 45. Framing and Microclimate Enclosures for Panel Paintings 46. 10 Health and Safety Concerns in the Paintings Conservation Studio 47. International Public Outreach Projects 48. Recommending Materials to Artists 49. Conservation Organizations and Professional Standards