
The Color of Sex
Whiteness, Heterosexuality, and the Fictions of White Supremacy
Mason Stokes(Author)
Duke University Press
Will be published approx. on 8. February 2001
Book
Hardback
264 pages
978-0-8223-2626-7 (ISBN)
Description
In The Color of Sex Mason Stokes offers new ways of thinking about whiteness by exploring its surprisingly ambivalent partnership with heterosexuality. Stokes examines a wide range of white-supremacist American texts written and produced between 1852 and 1915-literary romances, dime novels, religious and scientific tracts, film-and exposes whiteness as a tangled network of racial and sexual desire. Stokes locates these white-supremacist texts amid the anti-racist efforts of African American writers and activists, deepening our understanding of both American and African American literary and cultural history.
The Color of Sex reveals what happens when race and sexuality meet, when white desire encounters its own ambivalence. As Stokes argues, whiteness and heterosexuality exist in anxious relation to one another. Mutually invested in "the normal," they support each other in their desperate insistence on the cultural logic of exclusion. At the same time, however, they threaten one another in their attempt to create and sustain a white future, since reproducing whiteness necessarily involves the risk of contamination
Charting the curious movements of this "white heterosexuality," The Color of Sex inaugurates a new moment in our ongoing attempt to understand the frenzied interplay of race and sexuality in America. As such, it will appeal to scholars interested in race theory, sexuality studies, and American history, culture, and literature.
The Color of Sex reveals what happens when race and sexuality meet, when white desire encounters its own ambivalence. As Stokes argues, whiteness and heterosexuality exist in anxious relation to one another. Mutually invested in "the normal," they support each other in their desperate insistence on the cultural logic of exclusion. At the same time, however, they threaten one another in their attempt to create and sustain a white future, since reproducing whiteness necessarily involves the risk of contamination
Charting the curious movements of this "white heterosexuality," The Color of Sex inaugurates a new moment in our ongoing attempt to understand the frenzied interplay of race and sexuality in America. As such, it will appeal to scholars interested in race theory, sexuality studies, and American history, culture, and literature.
Reviews / Votes
"A stunningly conceived, lucidly written, well supported, nuanced, and absolutely compelling analysis of a culturally repressed and underanalyzed body of important literary materials. Stokes demonstrates with amplifying brilliance the operative interdependence of whiteness and normative heterosexuality."-Dana Nelson, author of National Manhood: Capitalist Citizenship and the Imagined Fraternity of White Men "An engaging and well written exploration of nineteenth-century 'fictions' of white supremacy that manages to combine wit and erudition."-Gayle Wald, author of Crossing the Line: Racial Passing in Twentieth Century U.S. Literature and CultureMore details
Series
Language
English
Place of publication
North Carolina
United States
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
7 illustrations
Weight
907 gr
ISBN-13
978-0-8223-2626-7 (9780822326267)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Mason Stokes | Donald E. Pease
The Color of Sex
Whiteness, Heterosexuality, and the Fictions of White Supremacy
E-Book
02/2001
1st Edition
De Gruyter
€198.99
Available for download
Person
Mason Stokes is Assistant Professor of English at Skidmore College.
Content
Acknowledgments
Introduction: White Fictions
1. "De White Man in Season"
2. Sympathy and Symmetry: The Romance of Slavery in Metta V. Victor's Maum Guinea and her Plantation "Children"
3. Someone's in the Garden with Eve: Race, Religion, and the American Fall
4. Charles Chesnutt and the Masturbating Boy: Onanism, Whiteness, and The Marrow of Tradition
5. White Sex: Thomas Dixon Jr. and the Erotics of White Supremacy
6. Becoming Visible: I'm White, Therefore I'm Anxious
Epilogue: The Queer Face of Whiteness
Notes
Bibliography
Introduction: White Fictions
1. "De White Man in Season"
2. Sympathy and Symmetry: The Romance of Slavery in Metta V. Victor's Maum Guinea and her Plantation "Children"
3. Someone's in the Garden with Eve: Race, Religion, and the American Fall
4. Charles Chesnutt and the Masturbating Boy: Onanism, Whiteness, and The Marrow of Tradition
5. White Sex: Thomas Dixon Jr. and the Erotics of White Supremacy
6. Becoming Visible: I'm White, Therefore I'm Anxious
Epilogue: The Queer Face of Whiteness
Notes
Bibliography