
Committed to Memory
Cultural Mediations of the Holocaust
Oren Baruch Stier(Author)
University of Massachusetts Press
Published on 11. September 2003
Book
Hardback
296 pages
978-1-55849-408-4 (ISBN)
Description
How is contemporary public consciousness of the Holocaust shaped and communicated? How is commitment to its memory expressed and engendered? This text offers a close and critical analysis of a range of cultural activities that mediate the Holocaust for a public increasingly distant from the events of World War II. Oren Baruch Stier argues that the manner in which those events are committed to memory, coupled with the fervent dedication to memory exhibited by many people and institutions, produces distinct memorial mediations of the Shoah. Stier discusses how the memorializations emerge, paying attention to the ways cultural memory is embodied individually, institutionally, and technologically. He defines and examines four modes of mediation: iconic, videotestimonial, museological, and ritual-ceremonial. In each context, he analyses how Holocaust memory is inscribed, framed, displayed and performed through a variety of media in a range of settings. Topics include the use of Holocaust-era railway cars, Art Spiegelman's "Maus" volumes, novels by Emily Prager, Martin Amis, and Elie Wiesel, and a CD-ROM that incorporates excerpts from Holocaust survivor testimonies.
Institutions examined range from Washington's US Holocaust Memorial Museum to Los Angeles' Museum of Tolerance, from Yale's Fortunoff Video Archive for Holocaust Testimonies to the Visual History Foundation created by Steven Spielberg, to the international teen pilgrimage that is the March of the Living. In the end, "Committed to Memory" asks what role forgetting can and does play in the memorial landscape, demonstrating how critical attention to our memorial investments, and to the mechanics and media of memory's construction and transmission, can uncover what is both gained and lost in these commitments.
Institutions examined range from Washington's US Holocaust Memorial Museum to Los Angeles' Museum of Tolerance, from Yale's Fortunoff Video Archive for Holocaust Testimonies to the Visual History Foundation created by Steven Spielberg, to the international teen pilgrimage that is the March of the Living. In the end, "Committed to Memory" asks what role forgetting can and does play in the memorial landscape, demonstrating how critical attention to our memorial investments, and to the mechanics and media of memory's construction and transmission, can uncover what is both gained and lost in these commitments.
Reviews / Votes
"Many contemporary scholars - whether in Holocaust studies or other areas - plunge into a discussion of memory, as though the term and its dynamic were universally understood. Stier probes the assumptions and hypotheses that underlie much discussion of memory in an intelligent and critical way, drawing important distinctions and giving depth to the ongoing conversation." - Sara R. Horowitz, author of Voicing the Void: Muteness and Memory in Holocaust Fiction; "A rich and provocative work.... I recommend it with enthusiasm." - Edward T. Linenthal, author of Preserving Memory: The Struggle to Create America's Holocaust MuseumMore details
Language
English
Place of publication
Massachusetts
United States
Target group
College/higher education
Professional and scholarly
Illustrations
16 illustrations
Dimensions
Height: 230 mm
ISBN-13
978-1-55849-408-4 (9781558494084)
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Schweitzer Classification