Teaching Electronic Music
Cultural, Creative, and Analytical Perspectives
1st Edition
Published on 17. August 2021
Book
Paperback/Softback
240 pages
978-0-367-41578-5 (ISBN)
Description
Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors-including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition-reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as:
What can instructors do to expand and diversify musical knowledge?
Can the study of electronic music foster critical reflection on technology?
What are the implications of a digital culture that allows so many to be producers of music?
How can instructors engage students in creative experimentation with sound?
Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.
What can instructors do to expand and diversify musical knowledge?
Can the study of electronic music foster critical reflection on technology?
What are the implications of a digital culture that allows so many to be producers of music?
How can instructors engage students in creative experimentation with sound?
Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Academic and Professional Practice & Development
Illustrations
29 s/w Abbildungen, 7 s/w Photographien bzw. Rasterbilder, 22 s/w Zeichnungen
22 Line drawings, black and white; 7 Halftones, black and white; 29 Illustrations, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 14 mm
Weight
371 gr
ISBN-13
978-0-367-41578-5 (9780367415785)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
08/2021
1st Edition
Routledge
€206.40
Shipment within 15-20 days
E-Book
08/2021
1st Edition
Routledge
€53.99
Available for download
E-Book
08/2021
1st Edition
Routledge
€53.99
Available for download
Person
Blake Stevens is Associate Professor of Music History at the College of Charleston.
Content
Introduction: Narrative Histories, "Real" Music, and the Digital Vernacular (BLAKE STEVENS) / PART I: Analytical, Descriptive, and Creative Strategies / 1. Then and Now: A Practical Guide for Introducing Electronic Music (ROBERT McCLURE) / 2. Parametric Analysis: An Early Tool for Analyzing Electronic Music (ANDREW SELLE) / 3. Analyzing Electronic Music: Uncovering the Original Conditions of Production (MARC BATTIER) / 4. Sound Design and Compositional Process in Skrillex: From Minimalism and FM Synthesis to Dubstep (RISHABH RAJAN) / 5. Teaching Principles of Interactive Sound: A Practice-Based Approach (LUCY ANN HARRISON) / 6. Algorithmic Composition: Implementations in Western Tonal Art Music, Video Games, and Other Music Technologies (V.J. MANZO) / PART II: Unifying the Curriculum / 7. It's Not (Just) about History and, by the Way, Which History? (LEIGH LANDY) / PART III: Critical Interventions and Methods / 8. Posthuman Sound Design: Describing Hybridity, Distributed Cognition, and Mutation (PATTI KILROY) / 9. Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music (RAUL MASU AND FABIO MORREALE) / 10. Listening to and Sampling the Land: On the Decolonization of Electronic Music Pedagogy (KATE GALLOWAY) / 11. Technological Mediation and Traditional Culture in Chinese Electroacoustic Music (ANNIE YEN-LING LIU AND YANG YINUO) / 12. Sound and Image in New Media Art (MARIAN MAZZONE)