Ethics of Alterity

Reviews / Votes

This innovative and original work interrogates the condition and performance of alterity across poetry, film and a range of visual and literary arts. Weaving together political philosophy, phenomenology and theories of language and embodiment, Ethics of Alterity poses fundamental questions about the claims to be made by the Self and the Other and the responsibility that arises in their relation. -- Gabrielle A. Hezekiah, associate dean, academic affairs, Faculty of Art, OCAD University, author of <i>Phenomenology's Material Presence. Video, Vision and Experience</i> Ethics of Alterity pulled me into a creative optimism. Building upon delicate observations and a well-crafted exchange between theories and ideas, Joerg Sternagel brings together the aisthetics of human existence and the ethical core of creative thinking. However, this book brings forth more than a theoretical interplay, it paves and inspires a way of living, in which experience, observation and ideas comprehensively interact. Ethics of Alterity is a heartwarming celebration of human nature and culture, and of the great potential that our 'being-among-others' has. -- Einav Katan-Schmid, Head of the School of Dance, Kibbutzim College of Education, Technology and the Arts, author of <i>Embodied Philosophy in Dance</i> With the title of this book, Joerg Sternagel calls to mind the fundamental difference Kierkegaard established between the gravitas of ethics and the free play of aesthetics. For his part, however, Sternagel takes up the trajectories of a phenomenology of corporeal and intercorporeal existence, as it has developed heretofore via Husserl, Merleau-Ponty, and Levinas. In so doing, it is the claim of the alien that sets the tone, raising questions concerning everything of the Self. Sternagel's work calls forth compelling concepts like the alien visage, substitution, hospitality, and the language of the sexes-motifs that confront us with alien claims over and over again. This responsive kind of phenomenology leads to surprising encounters between, say, Theodor Adorno and the comedian Charlie Chaplin, between Jacques Derrida and the jazz musician Ornette Coleman, or between Emmanuel Levinas and Paul Celan, two Jewish voices from a long-contested Eastern Europe. -- Bernhard Waldenfels, Professor Emeritus of philosophy, Ruhr-Universitaet-Bochum, author of <i>Phenomenology of the Alien</i> Much has been written about embodiment in contemporary theory. In Ethics of Alterity: Aisthetics of Existence, Joerg Sternagel takes on what might be called the paradoxes of embodiment, how we are present and absent to ourselves, how we are connected but distinct from others, how we both express and conceal, and how our senses are themselves composed in a mediated space that constitutes and is constituted by the social world. As part of performance philosophy, Joerg Sternagel interweaves literature, poetry, art, and theatre with philosophy mirroring the way in which our own existence is permeated constantly by the world. Our embodiment is the grounds for an ethics, not out of intellectual duty, but as emerging from this complex shifting situation in which we exist. In such a manner, we find the ethics of alterity is a responsibility as not an intellectual conclusion, but that arises out of our embodied response-ability and capacity to transform the world through our art, our philosophy, and our shared human life. -- Talia Welsh, professor of philosophy, University of Tennessee at Chattanooga, USA, author of <i>Feminist Existentialism, Biopolitics, and Critical Phenomenology in a Time of Bad Health</i>