Incredible Hulk Epic Collection: Kill or Be Killed
Published on 30. July 2024
Book
Paperback/Softback
520 pages
978-1-302-95536-6 (ISBN)
Description
"What hope lies within the mind of the man cursed by the Incredible Hulk? Roger Stern and Sal Buscema seek the answer to that tragic question in this Epic Collection. Of course, ol' Jade Jaws will also have plenty to smash as he goes after Moonstone and gets wound up in a struggle with Machine Man! Then, the high-tech Goldbug needs the Hulk to find a lost city of gold. And can Hulk stand up to a foe even bigger than he is? Find out when he takes on It the Living Colossus! Also featuring a trio of iconic Annuals boasting an all-time great Stern 'n' Byrne collaboration, the Hulk vs. Sasquatch and the return of legendary Hulk artist Steve Ditko! Collecting INCREDIBLE HULK (1968) #227-244 and ANNUAL (1968) #7-9, CAPTAIN AMERICA (1968) #230, MARVEL CALENDAR 1979, and material from MARVEL TREASURY EDITION #20 and #24"--
More details
Language
English
Place of publication
New York
United States
Illustrations
520 Illustrations
Dimensions
Height: 255 mm
Width: 167 mm
Thickness: 21 mm
Weight
878 gr
ISBN-13
978-1-302-95536-6 (9781302955366)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Roger Stern enjoyed well-regarded runs on Amazing Spider-Man, in which he introduced Captain Marvel (Monica Rambeau) and the Hobgoblin; Avengers; and Captain America. He launched West Coast Avengers and wrote numerous tie-in miniseries starring Earth’s Mightiest Heroes. At DC, he relaunched Atom and co-created Starman (Will Payton) before participating in one of comics’ most shocking events: the 1992 “Death of Superman.” He later returned to Marvel to write Amazing Spider-Man and related titles.
Peter B. Gillis began as a 1970s freelancer on Marvel Two-in-One, Super-Villain Team-Up and other titles. Later, he became regular writer on Defenders, Eternals and Strange Tales, in which he subjected Doctor Strange to a soul-searching gamut of good and evil magic. Elsewhere in the Marvel multiverse, he wrote Micronauts: The New Voyages and launched Strikeforce: Morituri with Brent Anderson, telling tales of a universe in which superhumans must embrace death to protect the Earth. He has also written for First Comics, TSR Games and others; he co-created Shatter, the first digital comic.
John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.
After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than one hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
Steve Ditko (1927 - 2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr. A. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and other characters who would prove of unexpected importance in Marvel’s later years.
Following Golden Age work at Marvel predecessor Timely Comics — as well as at Fawcett, Hillman and others — Carmine Infantino (d. 2013) made history at DC Comics, helping usher in the industry’s Silver Age with the reintroduction of the Flash, within whose title he cocreated the Elongated Man and several members of the hero’s famed Rogues’ Gallery. His 1961 story “Flash of Two Worlds,” which literally reshaped the DC Universe by introducing the Earth-1/Earth-2 concept, won Infantino two of his eventual 12 Alley Awards. After serving as DC’s art director and publisher, Infantino returned to penciling on several titles; for Marvel, he provided notable runs on Nova, Spider-Woman and Star Wars, along with brief stints on Daredevil, Ghost Rider and Iron Man. He also drew Superman vs. the Amazing Spider-Man, the historic first Marvel/DC crossover.
Peter B. Gillis began as a 1970s freelancer on Marvel Two-in-One, Super-Villain Team-Up and other titles. Later, he became regular writer on Defenders, Eternals and Strange Tales, in which he subjected Doctor Strange to a soul-searching gamut of good and evil magic. Elsewhere in the Marvel multiverse, he wrote Micronauts: The New Voyages and launched Strikeforce: Morituri with Brent Anderson, telling tales of a universe in which superhumans must embrace death to protect the Earth. He has also written for First Comics, TSR Games and others; he co-created Shatter, the first digital comic.
John Byrne has worked continuously in the comics industry as both writer and artist since 1975. After he initially collaborated with writer Chris Claremont on Iron Fist, Byrne and Claremont moved on to X-Men for a run still regarded as one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons to the original Lee/Kirby issues for his imaginative plotlines and dynamic artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero, Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable contribution to the Marvel Universe extends to memorable associations with virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational She-Hulk, Namor the Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work includes IDW’s Star Trek and Angel.
After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than one hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
Steve Ditko (1927 - 2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr. A. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and other characters who would prove of unexpected importance in Marvel’s later years.
Following Golden Age work at Marvel predecessor Timely Comics — as well as at Fawcett, Hillman and others — Carmine Infantino (d. 2013) made history at DC Comics, helping usher in the industry’s Silver Age with the reintroduction of the Flash, within whose title he cocreated the Elongated Man and several members of the hero’s famed Rogues’ Gallery. His 1961 story “Flash of Two Worlds,” which literally reshaped the DC Universe by introducing the Earth-1/Earth-2 concept, won Infantino two of his eventual 12 Alley Awards. After serving as DC’s art director and publisher, Infantino returned to penciling on several titles; for Marvel, he provided notable runs on Nova, Spider-Woman and Star Wars, along with brief stints on Daredevil, Ghost Rider and Iron Man. He also drew Superman vs. the Amazing Spider-Man, the historic first Marvel/DC crossover.