
Strange Fruit and Bitter Roots
Black History in Contemporary Graphic Narrative
Daniel Stein(Author)
University Press of Mississippi
Will be published approx. on 15. January 2026
Book
Paperback/Softback
277 pages
978-1-4968-6059-0 (ISBN)
Description
Since the publication of The Middle Passage: White Ships/Black Cargo by Tom Feelings, more African American creators have used graphic narratives to explore key moments in colonial and US history. These graphic stories address the painful legacies of anti-Black violence and the long history of racial injustice, using the power of comics to both confront the past and offer visions for the future.
From the Middle Passage and slavery to the civil rights movement and today's fight for Black Lives, these narratives reimagine history and challenge oppressive systems. Through creative artwork and storytelling, they give fresh perspectives on racial violence and racism in US visual culture, developing new visual languages and techniques to express these complex histories.
Strange Fruit and Bitter Roots connects scholarly research on Black history with some of the most impactful African American graphic novels. The book explores works such as King by Ho Che Anderson; The Middle Passage by Tom Feelings; Nat Turner by Kyle Baker; Black Panther by Ta-Nehisi Coates and Nnedi Okorafor; Bitter Root by David Walker, Chuck Brown, and Sanford Greene; Blue Hand Mojo by John Jennings; Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall and Hugo Martinez; and many others, bringing a deeper understanding of how graphic narratives can challenge historical narratives and shape conversations about race and identity today.
From the Middle Passage and slavery to the civil rights movement and today's fight for Black Lives, these narratives reimagine history and challenge oppressive systems. Through creative artwork and storytelling, they give fresh perspectives on racial violence and racism in US visual culture, developing new visual languages and techniques to express these complex histories.
Strange Fruit and Bitter Roots connects scholarly research on Black history with some of the most impactful African American graphic novels. The book explores works such as King by Ho Che Anderson; The Middle Passage by Tom Feelings; Nat Turner by Kyle Baker; Black Panther by Ta-Nehisi Coates and Nnedi Okorafor; Bitter Root by David Walker, Chuck Brown, and Sanford Greene; Blue Hand Mojo by John Jennings; Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall and Hugo Martinez; and many others, bringing a deeper understanding of how graphic narratives can challenge historical narratives and shape conversations about race and identity today.
Reviews / Votes
"Strange Fruit and Bitter Roots is an extraordinary contribution to the growing library of scholarship on comics, race, and history. Comprehensive and thoughtful, Stein uncovers a distinct set of formal techniques and cultural strategies that storytellers use to explore the meanings of the past through contemporary African American comics." - Qiana J. Whitted, author of Desegregating Comics: Debating Blackness in the Golden Age of American ComicsMore details
Language
English
Place of publication
Jackson
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
30 b&w illustrations
Dimensions
Height: 235 mm
Width: 156 mm
ISBN-13
978-1-4968-6059-0 (9781496860590)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
01/2026
Princeton University Press
€29.49
Available for download
Person
Daniel Stein is professor of North American literary and cultural studies and dean of the Faculty of Arts and Humanities at the University of Siegen, Germany. He is author of Music Is My Life: Louis Armstrong, Autobiography, and American Jazz and Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Stein has also coedited numerous essay collections and journal issues focused on US literature, graphic narratives, nineteenth-century serial literature, and popular culture.