
Franz von Suppe
Overtures and Preludes
Mark Starr(Author)
Cambridge Scholars Publishing
Published on 22. July 2013
Book
Paperback/Softback
210 pages
978-1-4438-4460-4 (ISBN)
Description
The famous operetta composer Franz von Suppe (1819-1895) was of Italian and Belgian descent, and was born a subject of the Habsburg Empire in Dalmatia. His musical gift was evident from an early age, but he first studied philosophy in Padua and then law in Vienna, before he later enrolled in the Vienna Conservatory under Sechter and Seyfried. He became a conductor in theatres at Pressburg and Baden, then in Vienna at the Theater an der Wien (until 1862), at the Carl Theater (until 1865), and subsequently at the Leopoldstadt Theater. During the same time, he wrote light operas and other types of theatre music. After 1860, he consciously imitated the popular style of the Parisian operetta, and achieved great success with Die schoene Galathee (1865), effectively adapting the spoof of Antiquity that had brought Offenbach such fame (in Orphee aux enfers and La Belle Helene). Suppe established the Viennese operetta as a genre in its own right, full of charm and gaiety, using a brisker style with vigorous popular rhythms. He wrote some 30 operettas, and 180 stage works in all. Almost all of them were produced in Vienna, with a few other premieres in Prague, Berlin and Hamburg. Suppe's sense of boldly defined melody, impulsive rhythmic verve and brilliant orchestral technique found preeminent expression in his overtures, many of which became celebrated all over the world. Poet and Peasant; Light Cavalry; Pique Dame; Morning, Noon and Night in Vienna; and Boccaccio still retain a place in the light repertory of the concert hall. His most enduringly famous operetta remains Boccaccio (1879), based on episodes from the life of the famous medieval Italian writer. Fatinitza (1876), using a libretto adapted from Eugene Scribe, also became extremely popular. This collection brings together many of the celebrated overtures to operettas and plays that became Suppe's hallmark as a composer. Also included are some of the shorter orchestral introductions that the composer provided for some of his later stage works (such as Der Teufel auf Erden, Fatinitza, Donna Juanita, Die Afrikareise, Die Jagd nach dem Glueck, and Des Matrosen Heimkehr).
More details
Edition
Unabridged edition
Language
English
Place of publication
Newcastle upon Tyne
United Kingdom
Target group
College/higher education
Professional and scholarly
Edition type
Unabridged edition
Product notice
With dust jacket
Dimensions
Height: 212 mm
Width: 148 mm
ISBN-13
978-1-4438-4460-4 (9781443844604)
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E-Book
09/2014
1st Edition
Cambridge Scholars Publishing
€119.69
Available for download
Person
Robert Ignatius Letellier is a specialist in the music and literature of the Romantic Period. He has published extensively on the work of Giacomo Meyerbeer (producing a four-volume English edition of his diaries, a collection of critical and biographical studies, a guide to research, two readings of the operas, as well as compiling and introducing editions of the complete libretti and non-operatic texts, and a selection of manuscripts facsimiles). He has also written on the ballets of Ludwig Minkus, compiled a series of scores on the Romantic Ballet, a sourcebook on the French opera-comique, a study of Daniel-Francois-Esprit Auber, and edited anthologies of his overtures, ballet music, and a series of his operatic vocal scores.