The Practice of Harmony
5th Edition
Published on 27. August 2003
Book
Paperback/Softback
432 pages
978-0-13-182660-1 (ISBN)
Description
For freshman/sophomore courses in Basic Music Theory, Lower Division Theory and Theory I-IV.
With an emphasis on learning and understanding by doing, this text/workbook takes students from music fundamentals through harmony in common practice to some of the more important harmonic procedures of the 20th century. The approach is "additive" throughout, allowing students to use what was learned in one chapter to help comprehension of the materials in the next. This allows for minimum of memorization since students repeatedly use the concepts throughout the semester.
With an emphasis on learning and understanding by doing, this text/workbook takes students from music fundamentals through harmony in common practice to some of the more important harmonic procedures of the 20th century. The approach is "additive" throughout, allowing students to use what was learned in one chapter to help comprehension of the materials in the next. This allows for minimum of memorization since students repeatedly use the concepts throughout the semester.
More details
Edition
5th edition
Language
English
Place of publication
United States
Publishing group
Pearson Education (US)
Target group
Professional and scholarly
Dimensions
Height: 235 mm
Width: 280 mm
Thickness: 32 mm
Weight
780 gr
ISBN-13
978-0-13-182660-1 (9780131826601)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions
Peter Spencer | Barbara Bennett
The Practice of Harmony
Book
04/2012
6th Edition
Pearson
€180.04
Article exhausted; check for reprint
Peter Spencer | Barbara Bennett
Practice of Harmony, The Plus MySearchLab with eText
Book
11/2011
6th Edition
Pearson
€200.68
Article is exhausted; no reprint
Previous edition
Peter Spencer
The Practice of Harmony
Book
12/1999
4th Edition
Pearson
€42.15
Article exhausted; check for reprint
Content
I. FOUNDATIONS.
1. Clefs and Basic Pitch Notation.
2. Scales.
3. Key Signatures and Scale Degrees.
4. Intervals.
5. Triads.
6. The Notation of Rhythm.
II. HARMONY IN COMMON PRACTICE-The Diatonic Vocabulary.
7. Four-Part Vocal Writing.
8. Primary Triads in Root Position.
9. Primary Triads in First Inversion.
10. Primary Triads in Second Inversion.
11. Secondary Triads.
12. The Harmonization of Melodies I.
13. Nonchord Tones: Passing Tones, Neighboring Tones, Changing Tones, Appoggiaturas, Escape Tones, Anticipations.
14. Nonchord Tones: Suspensions.
15. Diatonic Seventh Chords.
16. The Harmonization of Melodies II.
17. Writing for the Piano.
III. HARMONY IN COMMON PRACTICE-The Chromatic Vocabulary.
18. Secondary Dominants.
19. Secondary Diminished Seventh Chords.
20. Augmented Sixth Chords.
21. Borrowed Chords.
22. The Neapolitan.
23. Pedal Point.
24. Common Chord Modulation.
25. Abrupt and Enharmonic Modulation.
IV. POST-COMMON PRACTICE HARMONY.
26. Ninth, Eleventh, and Thirteenth Chords.
27. Chord Symbols.
28. Modal Harmony.
29. Nonfunctional Harmony.
30. Artificial Scales.
31. Nontertian Harmony.
32. Harmonic Procedures in Twelve-Tone Serialism.
Appendix.
Index.
1. Clefs and Basic Pitch Notation.
2. Scales.
3. Key Signatures and Scale Degrees.
4. Intervals.
5. Triads.
6. The Notation of Rhythm.
II. HARMONY IN COMMON PRACTICE-The Diatonic Vocabulary.
7. Four-Part Vocal Writing.
8. Primary Triads in Root Position.
9. Primary Triads in First Inversion.
10. Primary Triads in Second Inversion.
11. Secondary Triads.
12. The Harmonization of Melodies I.
13. Nonchord Tones: Passing Tones, Neighboring Tones, Changing Tones, Appoggiaturas, Escape Tones, Anticipations.
14. Nonchord Tones: Suspensions.
15. Diatonic Seventh Chords.
16. The Harmonization of Melodies II.
17. Writing for the Piano.
III. HARMONY IN COMMON PRACTICE-The Chromatic Vocabulary.
18. Secondary Dominants.
19. Secondary Diminished Seventh Chords.
20. Augmented Sixth Chords.
21. Borrowed Chords.
22. The Neapolitan.
23. Pedal Point.
24. Common Chord Modulation.
25. Abrupt and Enharmonic Modulation.
IV. POST-COMMON PRACTICE HARMONY.
26. Ninth, Eleventh, and Thirteenth Chords.
27. Chord Symbols.
28. Modal Harmony.
29. Nonfunctional Harmony.
30. Artificial Scales.
31. Nontertian Harmony.
32. Harmonic Procedures in Twelve-Tone Serialism.
Appendix.
Index.