
Between the Night and Its Music
New and Selected Poems
A. B. Spellman(Author)
Lauri Scheyer(Editor)
Wesleyan University Press
Will be published approx. on 8. September 2026
Book
Paperback/Softback
208 pages
978-0-8195-0121-9 (ISBN)
Description
Classic and new work by poet and jazz writer A. B. Spellman_x000D_
/>_x000D_
/>Winner of an American Book Award, granted by the Before Columbus Foundation (2025)_x000D_
/>_x000D_
/>A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly._x000D_
/>_x000D_
/>[sample text]_x000D_
/>_x000D_
/>THE TWIST_x000D_
/>_x000D_
/>a dancer's world_x000D_
/>is walls, movement_x000D_
/>confined: music_x000D_
/>_x000D_
/>god's last breath._x000D_
/>rhythm: the last beating _x000D_
/>of his heart. a dancer_x000D_
/>_x000D_
/>follows that sound, blind_x000D_
/>to its source, toward walls_x000D_
/>with others. she cannot dance alone_x000D_
/>_x000D_
/>she thinks of thought_x000D_
/>as windows, as ice around the dance_x000D_
/>can you break it? move
/>_x000D_
/>Winner of an American Book Award, granted by the Before Columbus Foundation (2025)_x000D_
/>_x000D_
/>A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly._x000D_
/>_x000D_
/>[sample text]_x000D_
/>_x000D_
/>THE TWIST_x000D_
/>_x000D_
/>a dancer's world_x000D_
/>is walls, movement_x000D_
/>confined: music_x000D_
/>_x000D_
/>god's last breath._x000D_
/>rhythm: the last beating _x000D_
/>of his heart. a dancer_x000D_
/>_x000D_
/>follows that sound, blind_x000D_
/>to its source, toward walls_x000D_
/>with others. she cannot dance alone_x000D_
/>_x000D_
/>she thinks of thought_x000D_
/>as windows, as ice around the dance_x000D_
/>can you break it? move
More details
Language
English
Place of publication
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 229 mm
Width: 152 mm
ISBN-13
978-0-8195-0121-9 (9780819501219)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
ALFRED BENNETT (A. B.) SPELLMAN, JR. is a poet and jazz critic whose books include The Beautiful Days (1964), Four Jazz Lives (1966), and Things I Must Have Known (2008). His work at the NEA was honored with the establishment of the A. B. Spellman Award for Jazz Advocacy. He has served on panels such as the Rockefeller Panel and as a member of the Advisory Group for the African-American Museum of the Smithsonian Institute. LAURI SCHEYER is Xiaoxiang Scholars Program Distinguished Professor and founding Director of the British and American Poetry Research Center at Hunan Normal University (China). Her many prior books include A History of African American Poetry and Slave Songs and the Birth of African American Poetry.