Blue Sky Body
Thresholds for Embodied Research
1st Edition
Published on 10. December 2019
Book
Hardback
306 pages
978-1-138-60854-2 (ISBN)
Description
Blue Sky Body: Thresholds for Embodied Research is the follow-up to Ben Spatz's 2015 book What a Body Can Do, charting a course through more than twenty years of embodied, artistic, and scholarly research.
Emerging from the confluence of theory and practice, this book combines full-length critical essays with a kaleidoscopic selection of fragments from journal entries, performance texts, and other unpublished materials to offer a series of entry points organized by seven keywords: city, song, movement, theater, sex, document, politics. Brimming with thoughtful and sometimes provocative takes on embodiment, technology, decoloniality, the university, and the politics of knowledge, the work shared here models the integration of artistic and embodied research with critical thought, opening new avenues for transformative action and experimentation.
Invaluable to scholars and practitioners working through and beyond performance, Blue Sky Body is both an unconventional introduction to embodied research and a methodological intervention at the edges of contemporary theory.
Emerging from the confluence of theory and practice, this book combines full-length critical essays with a kaleidoscopic selection of fragments from journal entries, performance texts, and other unpublished materials to offer a series of entry points organized by seven keywords: city, song, movement, theater, sex, document, politics. Brimming with thoughtful and sometimes provocative takes on embodiment, technology, decoloniality, the university, and the politics of knowledge, the work shared here models the integration of artistic and embodied research with critical thought, opening new avenues for transformative action and experimentation.
Invaluable to scholars and practitioners working through and beyond performance, Blue Sky Body is both an unconventional introduction to embodied research and a methodological intervention at the edges of contemporary theory.
Reviews / Votes
Spatz's first book, What A Body Can Do, was immensely helpful to me as an ethnographer in providing a vocabulary and conceptual framework to name and honor the hidden abodes of clandestine knowledges and the resistant performatives of local embodied practices. This book will be no less influential as an example of performative writing, offering another level in the discovery of "what a body can do" as first affordance, as well as showing how pedagogy can instigate threshold crossings, all in service of ethics and politics.-- From the Foreword by D. Soyini Madison
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Postgraduate and Professional
Dimensions
Height: 222 mm
Width: 145 mm
Thickness: 21 mm
Weight
550 gr
ISBN-13
978-1-138-60854-2 (9781138608542)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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Book
12/2019
1st Edition
Routledge
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E-Book
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Routledge
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E-Book
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1st Edition
Routledge
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Person
Ben Spatz is Senior Lecturer in Drama, Theatre, and Performance at the University of Huddersfield, UK. They are the author of What a Body Can Do: Technique as Knowledge, Practice as Research (2015), the founder and editor of the videographic Journal of Embodied Research, published by Open Library of Humanities, and an internationally recognized speaker on embodied research methods. For more information, please visit www.urbanresearchtheater.com.
Content
Foreword : D. Soyini Madison
Preface: Blue Sky Body
Acknowledgments
THRESHOLDS
1. CITY: FRAGMENTS
Sky Gold (1995)
The Electronic Heart (2001)
Vermilion's Text (2001-2003)
Another City (2009)
Embodiment as First Affordance (2017)
2. SONG: FRAGMENTS
Sweat (2003)
Vessels (2008)
Burning Up (2009)
Topology of Song (2015)
Colors Like Knives (2017)
3. MOVEMENT: FRAGMENTS
First Showing (2000)
The Door is Open (2004)
Letters to an Empty Room (2008)
Irregular Rhythms (2014)
Choreography as Research (2017)
4. THEATER: FRAGMENTS
Wild Spirit (1999)
Acts Without Organs (2008)
Beckett's Non-Theater (2011)
PLAYWAR (2012)
A Thousand Tiny Viewpoints (2020)
5. SEX: FRAGMENTS
the desert (2003)
On Pornography and Trauma (2009)
Is Grotowski Queer? (2013)
soft butch (2018)
This Extraordinary Power (2010)
6. DOCUMENT: FRAGMENTS
Citing Musicality (2013)
Ethics of the Scribble (2016)
What Do We Document? (2017)
Criteria for Assessment (2017)
The Video Way of Thinking (2018)
7. POLITICS: FRAGMENTS
neverland (2002)
A Charismatic Moment (2009)
Touching Landscape (2016)
Duration and Kinship (2018)
Notes for Decolonizing Embodiment (2019)
Appendix: Interviews
Interview: Iben Nagel Rasmussen (2018)
Interview: Tim Ingold (2019)
Performance Text: Rite of the Butcher (2013)
Preface: Blue Sky Body
Acknowledgments
THRESHOLDS
1. CITY: FRAGMENTS
Sky Gold (1995)
The Electronic Heart (2001)
Vermilion's Text (2001-2003)
Another City (2009)
Embodiment as First Affordance (2017)
2. SONG: FRAGMENTS
Sweat (2003)
Vessels (2008)
Burning Up (2009)
Topology of Song (2015)
Colors Like Knives (2017)
3. MOVEMENT: FRAGMENTS
First Showing (2000)
The Door is Open (2004)
Letters to an Empty Room (2008)
Irregular Rhythms (2014)
Choreography as Research (2017)
4. THEATER: FRAGMENTS
Wild Spirit (1999)
Acts Without Organs (2008)
Beckett's Non-Theater (2011)
PLAYWAR (2012)
A Thousand Tiny Viewpoints (2020)
5. SEX: FRAGMENTS
the desert (2003)
On Pornography and Trauma (2009)
Is Grotowski Queer? (2013)
soft butch (2018)
This Extraordinary Power (2010)
6. DOCUMENT: FRAGMENTS
Citing Musicality (2013)
Ethics of the Scribble (2016)
What Do We Document? (2017)
Criteria for Assessment (2017)
The Video Way of Thinking (2018)
7. POLITICS: FRAGMENTS
neverland (2002)
A Charismatic Moment (2009)
Touching Landscape (2016)
Duration and Kinship (2018)
Notes for Decolonizing Embodiment (2019)
Appendix: Interviews
Interview: Iben Nagel Rasmussen (2018)
Interview: Tim Ingold (2019)
Performance Text: Rite of the Butcher (2013)