
An Introduction to Design and Culture
1900 to the Present
Penny Sparke(Author)
Routledge (Publisher)
5th Edition
Published on 31. October 2025
Book
Paperback/Softback
318 pages
978-1-032-84903-4 (ISBN)
Description
An Introduction to Design and Culture provides a comprehensive guide to the changing relationships between design and culture from 1900 to the present day with an emphasis on five main themes:
* Design and consumption
* Design and technology
* The design profession
* Design theory
* Design and identities.
This fifth edition extends the traditional definition of design to embrace its more recent manifestations, which include service design, user-interface design, co-design, and sustainable design. It also discusses the relationship between design and the new media and the effect of globalisation and transnationalism on design. Most importantly, it looks at its contents through a new lens which acknowledges the post-industrial, post-colonial, post-modern, (and, arguably, post-design) climate of the twenty-first century and the challenges that it poses.
Taking a broadly chronological approach, Professor Sparke employs historical methods to show how these themes developed through the twentieth century and into the twenty-first century and played a role within modernism, post-modernism and beyond. Over a hundred illustrations are used throughout to demonstrate the breadth of design, and examples - among them design in Modern China, the work of Apple Computers Ltd., and design thinking - are used to elaborate key ideas. The new edition remains essential reading for undergraduate and postgraduate students of design studies, cultural studies and visual arts.
* Design and consumption
* Design and technology
* The design profession
* Design theory
* Design and identities.
This fifth edition extends the traditional definition of design to embrace its more recent manifestations, which include service design, user-interface design, co-design, and sustainable design. It also discusses the relationship between design and the new media and the effect of globalisation and transnationalism on design. Most importantly, it looks at its contents through a new lens which acknowledges the post-industrial, post-colonial, post-modern, (and, arguably, post-design) climate of the twenty-first century and the challenges that it poses.
Taking a broadly chronological approach, Professor Sparke employs historical methods to show how these themes developed through the twentieth century and into the twenty-first century and played a role within modernism, post-modernism and beyond. Over a hundred illustrations are used throughout to demonstrate the breadth of design, and examples - among them design in Modern China, the work of Apple Computers Ltd., and design thinking - are used to elaborate key ideas. The new edition remains essential reading for undergraduate and postgraduate students of design studies, cultural studies and visual arts.
More details
Edition
5th edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Postgraduate, Undergraduate Advanced, and Undergraduate Core
Illustrations
106 Farbfotos bzw. farbige Rasterbilder, 106 farbige Abbildungen
106 Halftones, color; 106 Illustrations, color
Dimensions
Height: 156 mm
Width: 234 mm
Thickness: 21 mm
Weight
636 gr
ISBN-13
978-1-032-84903-4 (9781032849034)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
10/2025
5th Edition
Routledge
€60.49
Available for download

E-Book
10/2025
5th Edition
Routledge
€60.49
Available for download

Book
10/2025
5th Edition
Routledge
€215.41
Shipment within 10-20 days
Previous edition

Book
09/2019
4th Edition
Routledge
€71.98
Shipment within 10-20 days
Person
Penny Sparke is a Professor of Design History and the Director of the Modern Interiors Research Centre at Kingston University, London. Her research interests include nineteenth- and twentieth-century design and the modern interior with a special interest in the role of gender.
Content
List of figures
Acknowledgements
Introduction
Part 1
Design and modernity, 1900-1945
1. Consuming modernity
2. The impacts of technology
3. The designer for industry
4. Modernism and design
5. Designing identities
Part 2
Design and post-modernity, 1945-1990
6. Consuming post-modernity
7. Technology and design, a new alliance
8. Designer-culture
9. Postmodernism and design
10. Redefining identities
Part 3
Designing the new century, 1990 to the present
11. Consumer culture at the millennium
12. Design in the digital age
13. New designers
14. Theory and practice in the new century
15. Designing identities in a globalised world
Glossary
Bibliography
Index
Acknowledgements
Introduction
Part 1
Design and modernity, 1900-1945
1. Consuming modernity
2. The impacts of technology
3. The designer for industry
4. Modernism and design
5. Designing identities
Part 2
Design and post-modernity, 1945-1990
6. Consuming post-modernity
7. Technology and design, a new alliance
8. Designer-culture
9. Postmodernism and design
10. Redefining identities
Part 3
Designing the new century, 1990 to the present
11. Consumer culture at the millennium
12. Design in the digital age
13. New designers
14. Theory and practice in the new century
15. Designing identities in a globalised world
Glossary
Bibliography
Index