
Boredom
The Literary History of a State of Mind
Patricia Meyer Spacks(Author)
University of Chicago Press
Will be published approx. on 7. February 1995
Book
Hardback
304 pages
978-0-226-76853-3 (ISBN)
Description
This work offers an explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson to Donald Barthelme, from Jane Austen to Anita Brookner, Spacks shows us at last how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent. Her book aims to provide new insight into the cultural usefulness - and deep interest - of boredom as a state of mind.
More details
Language
English
Place of publication
Chicago
United States
Publishing group
The University of Chicago Press
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 24 mm
Width: 16 mm
Thickness: 2 mm
Weight
595 gr
ISBN-13
978-0-226-76853-3 (9780226768533)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Content
Acknowledgments 1: Reading, Writing, and Boredom 2: Vacuity, Satiety, and the Active Life: Eighteenth-Century Men 3: The Consciousness of the Dull: Eighteenth-Century Women, Boredom, and Narrative 4: "Self is a Tiresome Subject": Personal Records of Eighteenth-Century Women Interlude: The Problem of the Interesting 5: "A Dull Book is Easily Renounced": How the Interesting Turns Boring 6: The Normalization of Boredom: Nineteenth-Century Women and Their Fictions 7: Society and Its Discontents: Cultural Contexts of Nineteenth-Century Boredom 8: The Ethics of Boredom: Modernism and Questions of Value 9: Cultural Miasma: Postmodern Enlargements of Boredom