
The Ring
A Production History at the Royal Opera House
John Snelson(Author)
Oberon Books Ltd (Publisher)
Published on 1. September 2006
Book
Hardback
182 pages
978-1-84002-602-3 (ISBN)
Description
A celebratory summary of one of the greatest of operatic events at one of the greatest of world opera houses, this work charts the story of Wagner's Der Ring des Nibelungen at the Royal Opera House from the first staging in 1892 - conducted by Gustav Mahler - through to the increasingly contraversial productions of the late 20th century. Each chapter is richly illustrated to evoke the character of the productions and their times. The pictorial record, drawn from the Archives at the Royal Opera House, includes many images never published before: costume and set designs, singers, posters, productions in performance. This 100-year history also highlights changing approaches to Wagner on stage: early naturalistic styles, pared-down in the 1950s and 60s, dramatically individual with more recent directors, concluding in this collection with Richard Jones's 'absurdist' approach in the mid-1990's. Giant names of the wagner world run through this Royal Opera story, both conductors and performers: from Marie Brema to Gwyneth Jones, from Bruno Walter to Bernrad Haitink. An appendix - more a roll call of the great Wagnerians - lists all the performers and their principal casting from 1892 on.
More details
Edition
Illustrated edition
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Edition type
Illustrated edition
Illustrations
includes illustrations
Dimensions
Height: 295 mm
Width: 245 mm
ISBN-13
978-1-84002-602-3 (9781840026023)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
John Snelson has worked extensively in music across performance, publishing and teaching. Following his PhD on the West End musical (2003) his scholarly publications have included the monograph Andrew Lloyd Webber (2004) and chapters in core reference works on British musical theatre. He was Senior Internal Editor (covering popular, pop and light music) for the Revised New Grove Dictionary of Music and Musicians (2001), to which he was also a contributor. He lectures on musical theatre, including for Goldsmiths, University of London. He has also published extensively on opera and for twenty years worked for the Royal Opera House.