
Breaking Boundaries
Politics and Play in the Drama of Shakespeare and His Contemporaries
Molly Smith(Author)
Routledge (Publisher)
1st Edition
Published on 18. September 2018
Book
Hardback
160 pages
978-1-138-60743-9 (ISBN)
Description
First published in 1998, this volume explores the period 1585-1649, identifying it as rich in innovative drama which challenged the boundaries between social, political and cultural activities of various kinds. Molly Smith examines ways in which texts by Renaissance authors reflect, question and influence their society's ideological concerns. In the drama of Kyd, Shakespeare, Beaumont and Fletcher, Webster, Middleton, Massinger and Ford, she identifies the simultaneously serious and playful appropriation of popular cultural practices, an appropriation which is expertly reversed by authorities in the political drama of Charles I's public trial and execution in 1649. This compelling interpretation of Renaissance drama will prove of value to students of literature and social history.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 11 mm
Weight
417 gr
ISBN-13
978-1-138-60743-9 (9781138607439)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
06/2020
1st Edition
Routledge
€53.90
Shipment within 10-20 days

E-Book
10/2018
1st Edition
Routledge
€47.49
Available for download

E-Book
10/2018
1st Edition
Routledge
€47.49
Available for download
Person
Molly Smith
Content
1. Breaking Boundaries: Politics and Play on the Renaissance Stage. 2. Theatre and Punishment: Spectacles of Death and Dying on the Stage. 3. Theatre and Cruelty: Renaissance Notions of Alterity in Roman Tragedies. 4. Theatre and Carnival License: Exploring the Boundaries of Comic Freedom and Tragic Excess. 5. Theatre and Transgression: Secularizing the Sacred and Sacralizing the Secular. 6. Theatre and the Scaffold: Social Drama and Public Spectacle in 1649.