Single-Camera Video Production
Focal Press
5th Edition
Published on 5. March 2010
Book
Paperback/Softback
298 pages
978-0-240-81264-9 (ISBN)
Description
Single Camera Video Production, fifth edition is intended for the beginning media student and as a reference for experienced media professionals to review the rapidly changing technology and production techniques in the digital media production field.
Single Camera Video Production provides an overview of the entire video production process and is especially geared to present production techniques used in single-camera video production. Presented in a concise, easy-to-understand format, readers gain the insight they need to create their own (digital) video productions. Clear illustrations demonstrate the techniques presented in the book.
This new edition expands the concentration on digital equipment and production techniques applicable to single camera video production. Field production is accentuated without ignoring studio single camera production. There is also detailed coverage of digital non-linear editing, digital audio, and lighting for digital productions. A new section is included on production workflow designed to carry out the importance of advanced and consistent planning of a production from audience analysis to format choices and eventual distribution methods that must start during the preproduction stage.
Presented in an easy to follow, two-page spread layout, the topics are concise and clear. More than 100 new illustrations show the latest equipment and techniques. An expanded production bibliography and glossary complete the additions to this book.
Don't miss the other Media Manuals from Focal Press! Check out Grammar of the Shot 2e and Grammar of the Edit 2e.
Praise for the last edition:
"Single-Camera Video Production is easy reading for the newcomer yet it has enough depth for the video professional. Chapters on digital video, nonlinear editing and a full description of pre-production treatments and contracts make it an excellent resource." - Videomaker
"The Focal Press Media Manual series sets out to deliver practical advice, technical know-how and practical skills in a direct, no-nonsense way, without information overload, making sure the essentials are all well-covered. Musburger's Single Camera Video Production, now in its fourth edition, faithfully sticks to this format, with surprising clarity for a complex technology...What is really good about this manual is that it explains every aspect of production and every role on set, but also how they dovetail to support each other...This is a manual that as the name suggests, you should keep close at hand. It is invaluable as a quick-access reference...a pocket book that will pay for itself time and time again throughout many productions." - www.shootingpeople.org
Single Camera Video Production provides an overview of the entire video production process and is especially geared to present production techniques used in single-camera video production. Presented in a concise, easy-to-understand format, readers gain the insight they need to create their own (digital) video productions. Clear illustrations demonstrate the techniques presented in the book.
This new edition expands the concentration on digital equipment and production techniques applicable to single camera video production. Field production is accentuated without ignoring studio single camera production. There is also detailed coverage of digital non-linear editing, digital audio, and lighting for digital productions. A new section is included on production workflow designed to carry out the importance of advanced and consistent planning of a production from audience analysis to format choices and eventual distribution methods that must start during the preproduction stage.
Presented in an easy to follow, two-page spread layout, the topics are concise and clear. More than 100 new illustrations show the latest equipment and techniques. An expanded production bibliography and glossary complete the additions to this book.
Don't miss the other Media Manuals from Focal Press! Check out Grammar of the Shot 2e and Grammar of the Edit 2e.
Praise for the last edition:
"Single-Camera Video Production is easy reading for the newcomer yet it has enough depth for the video professional. Chapters on digital video, nonlinear editing and a full description of pre-production treatments and contracts make it an excellent resource." - Videomaker
"The Focal Press Media Manual series sets out to deliver practical advice, technical know-how and practical skills in a direct, no-nonsense way, without information overload, making sure the essentials are all well-covered. Musburger's Single Camera Video Production, now in its fourth edition, faithfully sticks to this format, with surprising clarity for a complex technology...What is really good about this manual is that it explains every aspect of production and every role on set, but also how they dovetail to support each other...This is a manual that as the name suggests, you should keep close at hand. It is invaluable as a quick-access reference...a pocket book that will pay for itself time and time again throughout many productions." - www.shootingpeople.org
Reviews / Votes
"Single-Camera Video Production is easy reading for the newcomer yet it has enough depth for the video professional. Chapters on digital video, nonlinear editing and a full description of pre-production treatments and contracts make it an excellent resource."--VideomakerMore details
Edition
5th New edition
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Novice filmmakers and producers, film students, video enthusiasts
Edition type
New edition
Illustrations
200 s/w Photographien bzw. Rasterbilder
200 Halftones, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Weight
522 gr
ISBN-13
978-0-240-81264-9 (9780240812649)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions
Robert B. Musburger, PhD | Michael R. Ogden
Single-Camera Video Production
Book
06/2014
6th Edition
Routledge
€61.20
Shipment within 15-20 days
Person
Robert B. Musburger, Ph.D. is Professor Emeritus and former Director of the School of Communication, University of Houston. He has worked for 20 years in professional broadcasting, serving as camera operator, director, producer, and writer and has received numerous awards for his video work and teaching. His published writing includes "Electronic News Gathering: A Guide
to ENG" (Focal), "Single-camera Video Production, Fifth Edition"(Focal), and, with Gorham Kindem, "Introduction to Media Production: From Analog to Digital, Fourth Edition" (Focal).
to ENG" (Focal), "Single-camera Video Production, Fifth Edition"(Focal), and, with Gorham Kindem, "Introduction to Media Production: From Analog to Digital, Fourth Edition" (Focal).
Content
Chapter 1 PRODUCTION PHILOSOPHY
The Production Process
Importance of Goals-Audience Analysis
Importance of Work Flow
Difference Between Studio and Field Production
Importance of Technology
Chapter 2 THE TECHNOLOGY
Connecting the real world to the digital world
Limitations of equipment
Audio Signals
Frequency
Measuring Audio Signals
Compression
Video Signals
Synchronization
Scan Systems
Measuring Video Signals
Chapter 3 THE EQUIPMENT
Equipment Development
Cameras
Camera Types
Handheld Cameras
HDV Professional camera
Broadcast Camera
Digital Cinema Camera
Specialized Digital Cameras
Image Sources and Optics
Tubes
Chips
Optics
Focal Length
Focus
Aperture
Depth of Field
Viewfinder and Camera Controls
Viewfinder
Camera Controls
Bars/Gain Selector
Color Temperature Control/Filter Selector
White Balance
Camera Supports
Tripods and Body Mounts
Cranes, Dollies, Pedestals
Hand-Holding the Camera
DIGITAL RECORDING
Recording
Recorder Operation
CONNECTING EQUIPMENT
Cable Coiling
Power Connectors and Plugs
Audio Connectors
Video Connectors
Digital Connectors
AUDIO
Microphone Types
Element Construction
Pickup Pattern
Mounting devices
Non-Microphone Audio Sources
Which Audio Track to Use
LIGHTING
Floodlights
Focusing Spotlights
Fixed-Focus Instruments
Controlling Light
Power Sources
Color Temperature
Measuring Light Intensity
Lighting Ratio
Contrast Ratio
Chapter 4 THE PRODUCTION PROCESS -PREPRODUCTION
PRELIMINARY FORMS
The Proposal
Treatment
Legal Considerations
SCRIPT FORMATS
Scene Script
Shooting Script
Script Formats
Single-Column Format
Dual-Column Format
ORGANIZING FORMS
Storyboards
Location Scouting
Site Survey
Organizing equipment and Crew
Chapter 5 THE PRODUCTION PROCESS-PRODUCTION
Production Stages and Setup
Setting Up
Field Equipment Considerations
Camera Set-up
Audio Preparation
Prompting Devices
Sets and Properties
Lighting Preparation
Controlling Color Temperature
Controlling Light Intensity
Contrast Range
Basic Three-point Lighting
Back Light
Key Light
Fill Light
Kicker and Set Lights
Multiple and/or Moving Subjects
Creative Lighting
Mood Lighting
Lighting for Time, Date, Location
C. Directing and Rehearsing
Directing Talent
Rehearsal
Shooting
Shooting and Framing
Standard Shot Names
Framing Principles
Critical Area
Aspect Ratio
Lead Room or Edge Attraction
The Rule of Thirds
Creating Movement
Camera Movement
Movement Through Zooms
Z-Axis Movement
Graphic Force Movement
The Third Movement - Editing
Shoot to Edit
Continuity of Action
Continuity of Direction
Continuity of Location
Cover Shots
In-Camera Effects
Iris Fades
Roll or Rack Focus
Swish Pans and Zooms
Reversing Polarity
Digital In-Camera Effects
Logging and Striking
Striking
Chapter 6 THE POSTPRODUCTION PROCESS
THE SOUL OF PRODUCTION
Editing depends on aesthetic and equipment knowledge and skills
EDITING CONCEPT
BASIC PROCESS
PROCESS BACKGROUND
Non-Linear Film
Linear Electronic
Non-Linear Electronic
Linear Electronic
Non-Linear Electronic
Hardware
Editing Equipment
Accessories
Software
PHYSICAL PROCESS
CHOICES & DECISIONS
TECHNICAL PROCESS
Editing Operating Methods
Basic Editing
Transitions
Titles
Adding Audio
Rendering
THE AESTHETIC PROCESS
OUTPUT-DISTRIBUTION
Preparing to output/export
Output Process
Destination Choices
Chapter 7 YOUR FUTURE
Introduction
Internship
The Application Process
Resume Writing
Composing a Cover Letter
The Portfolio
The Interview
Summary
GLOSSARY
BIBLIOGRAPHY
INDEX
The Production Process
Importance of Goals-Audience Analysis
Importance of Work Flow
Difference Between Studio and Field Production
Importance of Technology
Chapter 2 THE TECHNOLOGY
Connecting the real world to the digital world
Limitations of equipment
Audio Signals
Frequency
Measuring Audio Signals
Compression
Video Signals
Synchronization
Scan Systems
Measuring Video Signals
Chapter 3 THE EQUIPMENT
Equipment Development
Cameras
Camera Types
Handheld Cameras
HDV Professional camera
Broadcast Camera
Digital Cinema Camera
Specialized Digital Cameras
Image Sources and Optics
Tubes
Chips
Optics
Focal Length
Focus
Aperture
Depth of Field
Viewfinder and Camera Controls
Viewfinder
Camera Controls
Bars/Gain Selector
Color Temperature Control/Filter Selector
White Balance
Camera Supports
Tripods and Body Mounts
Cranes, Dollies, Pedestals
Hand-Holding the Camera
DIGITAL RECORDING
Recording
Recorder Operation
CONNECTING EQUIPMENT
Cable Coiling
Power Connectors and Plugs
Audio Connectors
Video Connectors
Digital Connectors
AUDIO
Microphone Types
Element Construction
Pickup Pattern
Mounting devices
Non-Microphone Audio Sources
Which Audio Track to Use
LIGHTING
Floodlights
Focusing Spotlights
Fixed-Focus Instruments
Controlling Light
Power Sources
Color Temperature
Measuring Light Intensity
Lighting Ratio
Contrast Ratio
Chapter 4 THE PRODUCTION PROCESS -PREPRODUCTION
PRELIMINARY FORMS
The Proposal
Treatment
Legal Considerations
SCRIPT FORMATS
Scene Script
Shooting Script
Script Formats
Single-Column Format
Dual-Column Format
ORGANIZING FORMS
Storyboards
Location Scouting
Site Survey
Organizing equipment and Crew
Chapter 5 THE PRODUCTION PROCESS-PRODUCTION
Production Stages and Setup
Setting Up
Field Equipment Considerations
Camera Set-up
Audio Preparation
Prompting Devices
Sets and Properties
Lighting Preparation
Controlling Color Temperature
Controlling Light Intensity
Contrast Range
Basic Three-point Lighting
Back Light
Key Light
Fill Light
Kicker and Set Lights
Multiple and/or Moving Subjects
Creative Lighting
Mood Lighting
Lighting for Time, Date, Location
C. Directing and Rehearsing
Directing Talent
Rehearsal
Shooting
Shooting and Framing
Standard Shot Names
Framing Principles
Critical Area
Aspect Ratio
Lead Room or Edge Attraction
The Rule of Thirds
Creating Movement
Camera Movement
Movement Through Zooms
Z-Axis Movement
Graphic Force Movement
The Third Movement - Editing
Shoot to Edit
Continuity of Action
Continuity of Direction
Continuity of Location
Cover Shots
In-Camera Effects
Iris Fades
Roll or Rack Focus
Swish Pans and Zooms
Reversing Polarity
Digital In-Camera Effects
Logging and Striking
Striking
Chapter 6 THE POSTPRODUCTION PROCESS
THE SOUL OF PRODUCTION
Editing depends on aesthetic and equipment knowledge and skills
EDITING CONCEPT
BASIC PROCESS
PROCESS BACKGROUND
Non-Linear Film
Linear Electronic
Non-Linear Electronic
Linear Electronic
Non-Linear Electronic
Hardware
Editing Equipment
Accessories
Software
PHYSICAL PROCESS
CHOICES & DECISIONS
TECHNICAL PROCESS
Editing Operating Methods
Basic Editing
Transitions
Titles
Adding Audio
Rendering
THE AESTHETIC PROCESS
OUTPUT-DISTRIBUTION
Preparing to output/export
Output Process
Destination Choices
Chapter 7 YOUR FUTURE
Introduction
Internship
The Application Process
Resume Writing
Composing a Cover Letter
The Portfolio
The Interview
Summary
GLOSSARY
BIBLIOGRAPHY
INDEX