
Drawing, Seeing and Observation
Ian Simpson(Author)
Herbert Press Ltd
3rd Edition
Published on 23. July 2020
Book
Paperback/Softback
208 pages
978-1-78994-037-4 (ISBN)
Description
The third edition of a comprehensive drawing handbook, ideal for beginners, experienced artists and teachers of all levels.
Illustrated, and with many suggestions for practical work, this books teaches you how to see, draw and develop technical skills, with a focus on learning how to observe our world as three-dimensional. Drawings from master draughtsmen, professional artists and students help illustrate common problems and teach you how to solve them. Five interviews with contemporary artists also show you the different ways they use drawing as part of their work.
This book gives you a clear and systematic approach to all aspects of drawing and is ideal whether you are a beginner or already have considerable experience and want to re-examine your fundamental techniques. The book also offers teachers at all levels a ready-made instruction programme which progresses from basic drawing problems to the development of personal style.
Illustrated, and with many suggestions for practical work, this books teaches you how to see, draw and develop technical skills, with a focus on learning how to observe our world as three-dimensional. Drawings from master draughtsmen, professional artists and students help illustrate common problems and teach you how to solve them. Five interviews with contemporary artists also show you the different ways they use drawing as part of their work.
This book gives you a clear and systematic approach to all aspects of drawing and is ideal whether you are a beginner or already have considerable experience and want to re-examine your fundamental techniques. The book also offers teachers at all levels a ready-made instruction programme which progresses from basic drawing problems to the development of personal style.
More details
Edition
3rd edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Dimensions
Height: 221 mm
Width: 275 mm
Thickness: 17 mm
Weight
884 gr
ISBN-13
978-1-78994-037-4 (9781789940374)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Ian Simpson studied at Sunderland College of Art and the Royal College of Art, London. He taught at several colleges and universities including Hornsey College of Art, London, and Syracuse University, New York, was head of St Martin's School of Art, London, 1972-88 and a consultant to the Open College of Arts, UK. His paintings have been included in public and private collections in Britain, Sweden and the United States. He wrote many books and articles and presented three series on art for the BBC.
Content
Foreword
Introduction
1. Drawing Techniques and Approaches
2. Assessing and Drawing Two Dimensions - Height and Width
3. Assessing Three Dimensions - Height, Width and Depth
4. The Third Dimension - Rectangles Flat-on
5. Rectilinear Forms from Different Viewpoints
6. Rectangles and Gradients
7. Circles, Cylinders and Cones
8. Observation and Previous Knowledge
9. From Geometric to Natural Forms
10. Forms with no Flat Surfaces
11. Analysis and Selection
12. Perspective and Other Drawing Systems
13. Texture
14. Light, Shadows and Reflections
15. Some Different Approaches to Observation
16. Movement
17. Developing a Personal Language
18. Some Artists on Drawing
19. Summary
Select Bibliography
Acknowledgements
Index
Introduction
1. Drawing Techniques and Approaches
2. Assessing and Drawing Two Dimensions - Height and Width
3. Assessing Three Dimensions - Height, Width and Depth
4. The Third Dimension - Rectangles Flat-on
5. Rectilinear Forms from Different Viewpoints
6. Rectangles and Gradients
7. Circles, Cylinders and Cones
8. Observation and Previous Knowledge
9. From Geometric to Natural Forms
10. Forms with no Flat Surfaces
11. Analysis and Selection
12. Perspective and Other Drawing Systems
13. Texture
14. Light, Shadows and Reflections
15. Some Different Approaches to Observation
16. Movement
17. Developing a Personal Language
18. Some Artists on Drawing
19. Summary
Select Bibliography
Acknowledgements
Index