New Mutants Omnibus Vol. 3
Published on 26. December 2023
Book
Hardback
1136 pages
978-1-302-95408-6 (ISBN)
More details
Language
English
Place of publication
New York
United States
Illustrations
1136 Illustrations
Dimensions
Height: 284 mm
Width: 196 mm
Thickness: 52 mm
Weight
2908 gr
ISBN-13
978-1-302-95408-6 (9781302954086)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Writer and editor Louise Simonson launched Power Pack and Web of Spider-Man and wrote memorable runs on New Mutants and X-Factor — helping map out the “Mutant Massacre,” “Inferno” and “X-Tinction Agenda” crossovers. Her major editorial credits include Star Wars and Uncanny X-Men. At DC, she wrote multiple Superman titles and became one of the main creative forces behind the “Death of Superman” saga; her scripts also appeared in Detective Comics, New Titans and more. She returned to Marvel to write the Galactus the Devourer limited series and 1999-2000’s Warlock, starring characters from New Mutants.
Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.
Terry Austin won Eagle, Inkpot and Comics Buyer’s Guide Fan Awards for ink work on Chris Claremont and John Byrne’s legendary Uncanny X-Men run. Elsewhere in the mutant franchise, he penciled New Mutants and wrote occasional stories for various X-Men titles, along with Cloak and Dagger. At DC, he reunited with John Byrne to ink Superman; he also embellished Green Lantern, Justice League America and 66 issues of Superman Adventures, and penciled half the Camelot 3000 miniseries.
Two-time Emmy Award-winner Bret Blevins’ early Marvel work included adaptations of films such as The Dark Crystal, Krull and The Last Starfighter. Moving into the Marvel Universe, he drew Strange Tales’ Cloak and Dagger feature, and penciled much of Louise Simonson’s New Mutants run. In 1996, he moved into TV animation, storyboarding for Batman Beyond, Justice League and New Batman/Superman Adventures. He now divides time between oil painting and freelance storyboarding.
June Brigman helped launch Power Pack, and penciled the adventures of Cloak and Dagger in both their own title and Strange Tales. Her art appeared throughout Marvel’s 1980s team titles — including Alpha Flight, New Mutants and Uncanny X-Men. She penciled one of DC’s many Supergirl series, worked with Pack writer Louise Simonson on Dark Horse’s Star Wars: River of Chaos miniseries and served as artist on long-running comic strip Brenda Starr. She has taught at the Kubert School, as well as the Atlanta branch of the Savannah College of Art and Design.
In addition to illustrating annuals for New Mutants, X-Factor and X-Force, Terry Shoemaker helped conclude the “Heroes Reborn” version of Iron Man and contributed to the armored Avenger’s subsequent relaunch. He also penciled Tales of the Legion of Super-Heroes for DC, CyberRad for Continuity and Zealot for Image, as well several Wildstorm stories.
Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.
Terry Austin won Eagle, Inkpot and Comics Buyer’s Guide Fan Awards for ink work on Chris Claremont and John Byrne’s legendary Uncanny X-Men run. Elsewhere in the mutant franchise, he penciled New Mutants and wrote occasional stories for various X-Men titles, along with Cloak and Dagger. At DC, he reunited with John Byrne to ink Superman; he also embellished Green Lantern, Justice League America and 66 issues of Superman Adventures, and penciled half the Camelot 3000 miniseries.
Two-time Emmy Award-winner Bret Blevins’ early Marvel work included adaptations of films such as The Dark Crystal, Krull and The Last Starfighter. Moving into the Marvel Universe, he drew Strange Tales’ Cloak and Dagger feature, and penciled much of Louise Simonson’s New Mutants run. In 1996, he moved into TV animation, storyboarding for Batman Beyond, Justice League and New Batman/Superman Adventures. He now divides time between oil painting and freelance storyboarding.
June Brigman helped launch Power Pack, and penciled the adventures of Cloak and Dagger in both their own title and Strange Tales. Her art appeared throughout Marvel’s 1980s team titles — including Alpha Flight, New Mutants and Uncanny X-Men. She penciled one of DC’s many Supergirl series, worked with Pack writer Louise Simonson on Dark Horse’s Star Wars: River of Chaos miniseries and served as artist on long-running comic strip Brenda Starr. She has taught at the Kubert School, as well as the Atlanta branch of the Savannah College of Art and Design.
In addition to illustrating annuals for New Mutants, X-Factor and X-Force, Terry Shoemaker helped conclude the “Heroes Reborn” version of Iron Man and contributed to the armored Avenger’s subsequent relaunch. He also penciled Tales of the Legion of Super-Heroes for DC, CyberRad for Continuity and Zealot for Image, as well several Wildstorm stories.