
The Postwar Antisemite
Culture and Complicity after the Holocaust
Lisa Silverman(Author)
Oxford University Press Inc
Published on 9. October 2025
Book
Hardback
360 pages
978-0-19-769772-6 (ISBN)
Description
In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions. Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo.
Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings. A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force.
As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society.
Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings. A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force.
As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society.
Reviews / Votes
The Postwar Antisemite makes a significant contribution to the study of post-1945 hostility toward Jews by demonstrating how repudiation itself functioned as a cultural mechanism through which antisemitism endured. By focusing on representation, moral authority, and public negotiation rather than everyday social interaction, Silverman shows how antisemitism was repeatedly narrowed to questions of intention and individual behavior even as the conditions that sustained inequality remained largely unexamined. The book's central insight is thus not merely historical but analytical: identifying antisemites is not the same as dismantling the cultural logics that allow antisemitism to persist. In a moment of renewed hostility, that distinction remains crucial. * Carlos Haag, Holocaust Studies *More details
Language
English
Place of publication
New York
United States
Target group
College/higher education
Product notice
sewn/stitched
Cloth over boards
Illustrations
20 images
Dimensions
Height: 236 mm
Width: 163 mm
Thickness: 27 mm
Weight
656 gr
ISBN-13
978-0-19-769772-6 (9780197697726)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
08/2025
OUP eBook
€24.99
Available for download

E-Book
08/2025
OUP eBook
€24.99
Available for download
Person
Lisa Silverman is Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee. She is the author of Becoming Austrians: Jews and Culture between the World Wars (OUP, 2012) and the co-author of Holocaust Representations in History: An Introduction.
Author
Professor of History and Jewish StudiesProfessor of History and Jewish Studies, University of Wisconsin-Milwaukee
Content
Introduction: Ida Ehre Breaks Down at the Bundestag Part I. West Germany: The Patriot and the Antisemite Chapter 1: Harlan's Jews: Dora Gerson, Julius Bab, and the Legacy of Jud Suess Chapter 2: Harlan's Antisemites: Karena Niehoff Testifies in Hamburg Part II. East Germany: The Anti-Fascist and the Antisemite Chapter 3: Alice Haas Disappears from Affaire Blum Chapter 4: Accused as Jews: Anna Seghers and Victor Klemperer Part III. Austria: The Victim and the Antisemite Chapter 5: Hilde Spiel Returns to Vienna: Das andere Leben, The Emperor Waltz, and The Third Man Chapter 6: False Accusations: Der Prozess and 1. April 2000 Part IV. The United States: The Anti-Racist and the Antisemite Chapter 7: Laura Z. Hobson Stands Up for Josephine Baker: Gentleman's Agreement