Singing Ideas
Performance, Politics and Oral Poetry
1st Edition
Published on 29. December 2017
Book
Hardback
214 pages
978-1-78533-767-3 (ISBN)
Description
Considered by many to be the greatest Irish song poet of her generation, Maire Bhui Ni Laeire (Yellow Mary O'Leary; 1774-1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practitioner, Maire Bhui composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.
Reviews / Votes
"Structured into three eloquent chapters and a conclusion, the book features a detailed appendix section containing the Irish compositions, the English translations and the music transcriptions, as well as a list of sound recordings, bibliography and discography. As readers, we are left with a thirsty ear, craving to listen to Maire Bhui Ni Laeire's musical makings, perhaps hoping to gain an aural glimpse into those 'liminal moments of sheer potentiality' that have inspired generations of women, and men, before us." * Scenario"Singing Ideas: Performance, Politics, and Oral Poetry, presents an innovative take on researching the ephemeral, non-textual archives of oral tradition...Ni Shiochain's weaving of frameworks from philosophy and literature in Singing Ideas will be useful to anyone studying performance of the subaltern, embodiment, and unjust political structures of power." * Ethnomusicology Review
"This excellent book gives a concise, comprehensive overview of oral poetry in a crisply written style, confidently delivered and supported by rigorous scholarship." * Lillis O Laoire, National University of Ireland, Galway
More details
Series
Language
English
Place of publication
Oxford
United Kingdom
Target group
Professional and scholarly
Product notice
Library binding
Illustrations
11 Figures
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 16 mm
Weight
471 gr
ISBN-13
978-1-78533-767-3 (9781785337673)
DOI
10.3167/9781785337673
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
12/2017
1st Edition
Berghahn Books
€24.49
Available for download
E-Book
12/2017
1st Edition
Berghahn Books
€24.49
Available for download
Person
Triona Ni Shiochain is a whistle-player, singer and interdisciplinary scholar specializing in performance theory, oral theory and Irish-language song and poetry. She is Professor of Modern Irish and Performing Arts at Maynooth University, and was previously Lecturer in Irish Traditional Music at University College, Cork. She is author of Blath's Craobh na nUdar: Amhrain Mhaire Bhui (2012).
Content
Chapter 1. Singing Ideas: An Alternative History of Thought
(Un)doing History: The Authority of Literacy and the Performativity of Thought
Oral Trouble and Women's Voices: Searching for Intellectual
Traditions Beyond the Written Word
Singing Politics and Power in Society: Some Comparative Examples
Seizing Agency: Women of Song
Beyond the Limits of Textuality: Performing the Past and Performing Thought
Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space
The Theory of Liminality
Performing Liminality: Poetry as a Symbolic Marker for Liminality in the Irish Tradition
A Journey to the Sacred and Back: The Liminality of the Aisling (Vision)
Song and Oral Poetic Performance as Ritual
Separating from the Profane: Ekstasis and Song
Moments of Potentiality: The Antistructure of Melody and Verse in the Irish Tradition
The Ritual Powers of (Song) Poetry: Satire, Insult and Fearlessness
The Potentiality of the Play-Sphere: The Challenging Discourse of Song
The Singer of Ideas as 'Seer of Communitas': The Liminality of Song and the Generation of Ideas
Chapter 3. Singing Parrhesia: Maire Bhui Ni Laeire, Song Performance and Politics in Nineteenth-Century Ireland
Maire Bhui Ni Laeire: Nineteenth-Century Song Poet
Irish-Language Song-Making: Poetry as Performance and the Aesthetics of Orality
Multiformity and Oral Formulaic Techniques
Local Agrarian Agitation and the Creation of the Poetic Radical
Crisis and Charisma: The Song Poet as Prophet and Truth-Teller
Identity and the Aesthetics of Orality: New Ideas and the Narrative of Belonging
Framing the Revolution: Performing Antistructure and the Vision of the Revolution through Song
From Generation to Generation to Regeneration: The Legacy of Ideas through Song
Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through'
Appendix of Songs and Lore
Bibliography
Index
(Un)doing History: The Authority of Literacy and the Performativity of Thought
Oral Trouble and Women's Voices: Searching for Intellectual
Traditions Beyond the Written Word
Singing Politics and Power in Society: Some Comparative Examples
Seizing Agency: Women of Song
Beyond the Limits of Textuality: Performing the Past and Performing Thought
Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space
The Theory of Liminality
Performing Liminality: Poetry as a Symbolic Marker for Liminality in the Irish Tradition
A Journey to the Sacred and Back: The Liminality of the Aisling (Vision)
Song and Oral Poetic Performance as Ritual
Separating from the Profane: Ekstasis and Song
Moments of Potentiality: The Antistructure of Melody and Verse in the Irish Tradition
The Ritual Powers of (Song) Poetry: Satire, Insult and Fearlessness
The Potentiality of the Play-Sphere: The Challenging Discourse of Song
The Singer of Ideas as 'Seer of Communitas': The Liminality of Song and the Generation of Ideas
Chapter 3. Singing Parrhesia: Maire Bhui Ni Laeire, Song Performance and Politics in Nineteenth-Century Ireland
Maire Bhui Ni Laeire: Nineteenth-Century Song Poet
Irish-Language Song-Making: Poetry as Performance and the Aesthetics of Orality
Multiformity and Oral Formulaic Techniques
Local Agrarian Agitation and the Creation of the Poetic Radical
Crisis and Charisma: The Song Poet as Prophet and Truth-Teller
Identity and the Aesthetics of Orality: New Ideas and the Narrative of Belonging
Framing the Revolution: Performing Antistructure and the Vision of the Revolution through Song
From Generation to Generation to Regeneration: The Legacy of Ideas through Song
Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through'
Appendix of Songs and Lore
Bibliography
Index