Fashion Photography
Meaning and Affect in Images of the Body
Eugenie Shinkle(Author)
Bloomsbury Visual Arts (Publisher)
Published on 6. September 2020
Book
Hardback
208 pages
978-1-4725-7579-1 (ISBN)
Description
Fashion Photography shows how the meaning of fashion images can depend upon how we feel about them. Feelings, of course, are difficult to analyse or decode - yet fashion photography trades on intangibles like mood, atmosphere and attitude, and qualities such as colour, touch, and bodily empathy. Such `affective' attributes, which lie at the heart of all fashion photographs, are often resistant to interpretation.
Whilst acknowledging the legitimacy of existing critiques, this volume extends and develops them by examining a different set of analytical models. Drawing on the latest research in fields including psychology, cognitive neuroscience, neuroaesthetics and cultural studies, Fashion Photography broadens the critical analysis of fashion photography by examining the affective and embodied dimensions of fashion imagery including emotional responses, sensory crossover, and the biological registers of image perception.
Whilst acknowledging the legitimacy of existing critiques, this volume extends and develops them by examining a different set of analytical models. Drawing on the latest research in fields including psychology, cognitive neuroscience, neuroaesthetics and cultural studies, Fashion Photography broadens the critical analysis of fashion photography by examining the affective and embodied dimensions of fashion imagery including emotional responses, sensory crossover, and the biological registers of image perception.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
Professional and scholarly
Illustrations
10 colour and 40 b&w illus
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-4725-7579-1 (9781472575791)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Person
Eugenie Shinkle is a photographic artist and Senior Lecturer in the Department of Photography and Film at the University of Westminster, London, UK. She is the editor of Fashion as Photograph (2008), and a co-editor of Emerging Landscapes: Between Production and Representation (2014).
Content
Introduction
1. Semiotics
2. Desire
3. Feeling
4. Colour
5. Touch
6. The Pose
7. Case Studies and Conclusion
Bibliography
Index
1. Semiotics
2. Desire
3. Feeling
4. Colour
5. Touch
6. The Pose
7. Case Studies and Conclusion
Bibliography
Index