Film Theory
Critical Concepts in Media and Cultural Studies
Published on 27. November 2003
Book
1552 pages
978-0-415-25971-2 (ISBN)
Description
This major new collection:
identifies the critical and theoretical concepts which have been most significant in the study of film
presents chronologically the most influential and important writing on these concepts
provides an historical and intellectual context for the material presented.
New introductions by the editors guide the reader through the work, and make this an essential source of ideas and insights for students and researchers in the field of Film Studies.
identifies the critical and theoretical concepts which have been most significant in the study of film
presents chronologically the most influential and important writing on these concepts
provides an historical and intellectual context for the material presented.
New introductions by the editors guide the reader through the work, and make this an essential source of ideas and insights for students and researchers in the field of Film Studies.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
College/higher education
Postgraduate and Professional
Dimensions
Height: 234 mm
Width: 156 mm
Weight
3030 gr
ISBN-13
978-0-415-25971-2 (9780415259712)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Philip Simpson is a researcher and writer. His previous positions include Head of Education at the British Film Institute and Head of the Department of Radio Film and Television Studies at Canterbury Christ Church University College, UK
Content
Volume I Part 1: Essence and Specificity Part 2: Language Part 3: Technologies Volume II Part 4: Authorship Part 5: Genre Part 6: Narrative and Narration Volume III Part 7: Audiences and Spectatorship Part 8: Personal Identities and Representation Part 9: Cultural Identities, Colonialism and Postcolonialism Volume IV Part 10: Realism and the Real Part 11: Modernism and Postmodernism Part 12: Economics and Globalisation