
Kirkyard Romanticism
Death, Modernity and Scottish Literature in the Nineteenth Century
Sarah Sharp(Author)
Edinburgh University Press
Published on 31. March 2026
Book
Paperback/Softback
208 pages
978-1-4744-8342-1 (ISBN)
Description
The early nineteenth century saw the dead take on new life in Scottish literature; sometimes quite literally. This book brings together a range of Scottish Romantic texts, identifying a shared interest an imagined national dead. It argues that the publications of Edinburgh-based publisher William Blackwood were the crucible for this new form of Scottish cultural nationalism. Scottish Romantic authors including James Hogg, John Wilson and John Galt, use the Romantic kirkyard to engage with, and often challenge, contemporary ideas of modernity. The book also explores the extensive ripples that this cultural moment generated across Scottish, British and wider Anglophone literary sphere over the next century.
Reviews / Votes
...the thematic strain of Sharp's Kirkyard Romanticism provides a foundational overview of nineteenth-century Scottish literature and culture and is a welcome addition to the Edinburgh Critical Studies in Romanticism series. -- Beth Brigham, Northumbria University * Modern Language Review * In summary, the authors and different works covered within the volume are excellent... whilst the conjunction of historical and contextual information with literary analysis is coherent. Much work has been done on graveyard prose and poetry, death in Scottish literature and the wider literature of the Romantic period by critics such as Tim Marshall, Yael Shapira and Paul Westover. Sharp's monograph slots seamlessly alongside these works as an engaging and original view of Scottish Romanticism, viewed through the lens of the kirkyard. -- Amy Wilcockson, Queen Mary University of London * Scottish Literary Review * Sharp displays an impressive range in a first book, shifting across a long nineteenth century and looking beyond Scotland to several colonial contexts in her pursuit of the influence of this Blackwoodian mode... what emerges here improves our understanding of the absent presence of the dead in the developing forms of nineteenth-century nationalism. -- Gerard Lee McKeever, University of Edinburgh * The Review of English Studies * In Kirkyard Romanticism, Sharp transcends the national to make a significant contribution to nationhood theory, as well as 19th-century Scottish literature and politics.Summing Up: Highly recommended. -- J. Walker, emeritus, Queen's University at Kingston * CHOICE * Sarah Sharp's brilliant account of a Blackwood's-based 'Kirkyard School' of fiction shows how Romantic-era Scotland figured as a repository for regional values at risk of being forgotten in modernity's sweep. In so doing, the book helpfully reconnects the period with a longer nineteenth century history of both literary and colonial engagements with the dead. -- Anthony Jarrells, University of South Carolina
More details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Dimensions
Height: 232 mm
Width: 156 mm
Thickness: 16 mm
Weight
324 gr
ISBN-13
978-1-4744-8342-1 (9781474483421)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Sarah Sharp is a lecturer in Scottish Literature at the University of Aberdeen and deputy director of Aberdeen's Research Institute of Irish and Scottish Studies. She completed her doctoral studies at the University of Edinburgh and has previously held positions at the University of Otago and University College Dublin. She was selected for a Fulbright Scottish Studies Scholar Award in 2018 and was based at the University of South Carolina. Sarah's research is focused on Scottish literature and the long nineteenth century. She has published articles on James Hogg, shipboard diaries, Robert Burns, crime writing and settler colonialism.
Content
Introduction: 'I was a "Young Mortality"'
1. Intertextuality, Tradition and the Kirkyard Forefathers
2. 'In the burial ground of his native parish': Romancing the Kirkyard
3. The Suicide's Grave: Suicide, Civilisation, and Community
4. The Doctor and the Dead: Anatomy, Feeling and Genre
5. 'Burking, Bill and Cholera': Death, Mobility and National Epidemic
6. 'To lay our bones within the bosom of our native soil': The Kirkyard in the Age of Migrants
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1. Intertextuality, Tradition and the Kirkyard Forefathers
2. 'In the burial ground of his native parish': Romancing the Kirkyard
3. The Suicide's Grave: Suicide, Civilisation, and Community
4. The Doctor and the Dead: Anatomy, Feeling and Genre
5. 'Burking, Bill and Cholera': Death, Mobility and National Epidemic
6. 'To lay our bones within the bosom of our native soil': The Kirkyard in the Age of Migrants
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