
Tuning, Timbre, Spectrum, Scale
William a. Sethares(Author)
Springer (Publisher)
Published on 14. April 2014
Book
Paperback/Softback
XVIII, 345 pages
978-1-4471-4176-1 (ISBN)
The article will not be published
Description
6.4 Summary In the pursuit of genuinely xenharmonic music that does not sacrifice con sonance or depth of timbral material, this chapter presented three concrete examples of related tunings and spectra. The tingshaw bell and the Chaco rock showed how to take the spectrum of an existing sound, draw the disso nance curve, find the related scale, and build a playable "instrument." The crystal section showed how to take an arbitrary complex spectrum and to realize it in sound via a related partial-based scale. Despite the odd timbres and scales, the resulting music gives an impres sion of tonality or key. It has the surface feeling of tonality, but is unlike 19 anything possible in 12-tet. McLaren comments The Chaco Canyon Rock bounces from one inharmonic "scale mem ber" to another, producing an astonishing sense of consonance. The effect isn't identical to traditional tonality-yet it produces many of tonality's effects. One is instantly aware of "right" and "wrong" pitches, and there is a sense of spectral "progression." We call such music xentonal.
More details
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Research
Illustrations
33
33 s/w Abbildungen
33 black & white illustrations, biography
Dimensions
Height: 23.5 cm
Width: 15.5 cm
ISBN-13
978-1-4471-4176-1 (9781447141761)
DOI
10.1007/978-1-4471-4177-8
Schweitzer Classification
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William a. Sethares
Tuning, Timbre, Spectrum, Scale
Book
10/2010
2nd Edition
Springer
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William a. Sethares
Tuning, Timbre, Spectrum, Scale
Book
01/2005
2nd Edition
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William a. Sethares
Tuning, Timbre, Spectrum, Scale
E-Book
06/2013
1st Edition
Springer
€85.59
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Content
1. The Octave is Dead. Long Live the Octave.- 2. The Science of Sound.- 3. Musical Scales.- 4. Consonance and Dissonance of Harmonic Sounds.- 5. Related Spectra and Scales.- 6. A Bell, A Rock, A Crystal.- 7. Adaptive Tunings.- 8. The Gamelan.- 9. Consonance-Based Musical Analysis.- 10. From Tuning to Spectrum.- 11. Spectral Mappings.- 12. A "Music Theory" for 10-tet.- 13. Speculation, Correlation, Interpretation, Conclusion.- Appendix A. Mathematics of Beats.- Appendix B. Ratios Make Cents.- Appendix C. Speaking of Spectra.- C.1 Spectrum of a Sine Wave.- C.2 Steady State Analysis.- C.3 Analysis of the Attack.- C.4 Pads and Windows.- C.5 Finding Spectral Peaks.- Appendix D. Additive Synthesis.- Appendix E. How to Dray Dissonance Curves.- Appendix F. Properties of Dissonance Curves.- Appendix G. Behavior of Adaptive Tunings.- Appendix H. Tables of Scales.- Appendix I. Classical Music of Thailand.- Discography.- Sound Examples.