Audio Engineering Explained
1st Edition
Published on 27. October 2009
Book
Paperback/Softback
650 pages
978-0-240-81273-1 (ISBN)
Description
All the design and development inspiration and direction an audio engineer needs in one blockbuster book! Douglas Self has selected the very best sound engineering design material from the Focal and Newnes portfolio and complied it into this volume. The result is a book covering the gamut of sound engineering.
The material has been selected for its timelessness as well as for its relevance to contemporary sound engineering issues.
The material has been selected for its timelessness as well as for its relevance to contemporary sound engineering issues.
More details
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Professional Practice & Development
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 277 mm
Width: 214 mm
Thickness: 38 mm
Weight
1560 gr
ISBN-13
978-0-240-81273-1 (9780240812731)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Douglas Self
Audio Engineering Explained
Book
07/2017
1st Edition
Routledge
€256.50
Shipment within 10-20 days
Douglas Self
Audio Engineering Explained
E-Book
11/2012
1st Edition
Routledge
€69.99
Available for download
Douglas Self
Audio Engineering Explained
E-Book
11/2012
1st Edition
Routledge
€69.99
Available for download
Person
Douglas Self has dedicated himself to demystifying amplifier design and establishing empirical design techniques based on electronic design principles and experimental data. His rigorous and thoroughly practical approach has established him as a leading authority on amplifier design, especially through the pages of Electronics World where he is a regular contributor.
Content
Part I PART I Basics; Chapter 1 Fundamentals of Audio and Acoustics; Chapter 2 Introduction to Hearing; Part II PART II Microphones; Chapter 3 Basic Sound Transmission and Operational Forces on Microphones; Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle; Part III PART III Preamplifiers, Mixers, and Interconnects; Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick; Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable; Chapter 7 Grounding and Interfacing, Bill Whitlock; Part IV PART IV Power Amplifiers; Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback; Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers; Chapter 10 Chapter 10 Class-G Power amplifiers; Part V PART V Loudspeakers; Chapter 11 What is a Loudspeaker?; Chapter 12 CHAPTER 12 Diversity of Design; Chapter 13 Chapter 13 Loudspeaker Cabinets; Chapter 14 Crossovers; Part VI PART VI Digital Audio; Chapter 15 DSP Technology; Chapter 16 CHAPTER 16 MIDI; Part VII Acoustics and Sound Reinforcement; Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis; Chapter 18 CHAPTER 18 Sound System Equalization; Chapter 19 Reflections, Images, and the Precedence Effect; Part VIII Recording Studios; Chapter 20 CHAPTER 20 Sound Isolation; Chapter 21 Chapter 21 The Studio Environment Index;