
Geography Lesson
Canadian Notes
Allan Sekula(Author)
MIT Press
Published on 14. August 1997
Book
Paperback/Softback
96 pages
978-0-262-69200-7 (ISBN)
Description
Photographer and writer Allan Sekula constructs narratives that define land and its
political, social, and economic demarcations. He has described Geography Lesson: Canadian Notes as a
conjectural comparison of imaginary and material geographies in the advanced capitalist world. In
the book, which is based on a 1986 exhibition, he examines the iconography found in images of a
landscape altered by mining, of bank architecture and its messages of cultural stability, and of the
land as a source of economic wealth as it appears on Canadian money.The seventy-six photographs form
a narrative sequence augmented by captions and by the text, which is written in the subjective voice
of a single investigator and storyteller. The photographs link two sites: the Inco mine and smelter
in Sudbury and the Bank of Canada in Ottawa. The deep roots of their existence -- the creation and
distribution of wealth -- are far more intimately connected than appearances would suggest. Canadian
bills bear images of industry that draw resources from the land, contributing to the myth of
national independence and self-determination. Issues of national identity and independence acquire a
heightened poignancy in light of Sekula's underlying subject, the relationship between Canada's
resource-based economy and U.S. capital.In essays following Sekula's text, Gary Dufour discusses
Canadian Notes as an examination of social and economic discourses that shape perceptions of the
land, and John O'Brian discusses the dynamics of a resource-based economy, relations between Canada
and the United States, and photography's ability to regulate appearances and therefore to control
reality.Distributed for the Vancouver Art Gallery
political, social, and economic demarcations. He has described Geography Lesson: Canadian Notes as a
conjectural comparison of imaginary and material geographies in the advanced capitalist world. In
the book, which is based on a 1986 exhibition, he examines the iconography found in images of a
landscape altered by mining, of bank architecture and its messages of cultural stability, and of the
land as a source of economic wealth as it appears on Canadian money.The seventy-six photographs form
a narrative sequence augmented by captions and by the text, which is written in the subjective voice
of a single investigator and storyteller. The photographs link two sites: the Inco mine and smelter
in Sudbury and the Bank of Canada in Ottawa. The deep roots of their existence -- the creation and
distribution of wealth -- are far more intimately connected than appearances would suggest. Canadian
bills bear images of industry that draw resources from the land, contributing to the myth of
national independence and self-determination. Issues of national identity and independence acquire a
heightened poignancy in light of Sekula's underlying subject, the relationship between Canada's
resource-based economy and U.S. capital.In essays following Sekula's text, Gary Dufour discusses
Canadian Notes as an examination of social and economic discourses that shape perceptions of the
land, and John O'Brian discusses the dynamics of a resource-based economy, relations between Canada
and the United States, and photography's ability to regulate appearances and therefore to control
reality.Distributed for the Vancouver Art Gallery
More details
Language
English
Place of publication
Cambridge, Mass.
United States
Publishing group
MIT Press Ltd
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
76
Dimensions
Height: 279 mm
Width: 203 mm
Thickness: 0 mm
Weight
0 gr
ISBN-13
978-0-262-69200-7 (9780262692007)
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Schweitzer Classification