
Lost Waterfront
The Decline and Rebirth of Manhattan's Western Shore
Shelley Seccombe(Photographer)
Fordham University Press
Will be published approx. on 15. March 2008
Book
Paperback/Softback
80 pages
978-0-8232-2845-4 (ISBN)
Description
For more than a century, the Hudson River piers in Greenwich Village bustled with the maritime commerce that made New York the greatest port in the country. By the 1960s, after years of economic decline, the great waterfront was disappearing. After the West Side Highway was closed in 1973, many of the piers, now abandoned, burned, while others collapsed into the river. By the 1990s, only ghosts were left.
Yet there came a moment in time-fifteen years, perhaps-when the decaying piers supported a thriving other life. These ravaged iron structures became the Jones Beach of Manhattan; rotting wooden decks were now stages for musicians, dancers, and acrobats; fishermen trawled for eel and old tires; and the collapsing docks soon created a unique cityscape.
In this evocative book, photographer Shelley Seccombe documents 30 years of decay, transformation, and rebirth along the waters of Manhattan's west side Here are all 68 full color photographs in a unique record of a waterfront long since past-and a vibrant celebration of new city gem, Hudson River Park, opened in 2003. Where once tugs and freighters nosed into gritty docks, today there are green spaces where people
come to lie in the sun, listen to water, paddle kayaks, and wonder at the passing vessels. These unforgettable photographs capture a city in change, and the pioneering creation of a new urban space that once again gives the river back to New Yorkers.
Yet there came a moment in time-fifteen years, perhaps-when the decaying piers supported a thriving other life. These ravaged iron structures became the Jones Beach of Manhattan; rotting wooden decks were now stages for musicians, dancers, and acrobats; fishermen trawled for eel and old tires; and the collapsing docks soon created a unique cityscape.
In this evocative book, photographer Shelley Seccombe documents 30 years of decay, transformation, and rebirth along the waters of Manhattan's west side Here are all 68 full color photographs in a unique record of a waterfront long since past-and a vibrant celebration of new city gem, Hudson River Park, opened in 2003. Where once tugs and freighters nosed into gritty docks, today there are green spaces where people
come to lie in the sun, listen to water, paddle kayaks, and wonder at the passing vessels. These unforgettable photographs capture a city in change, and the pioneering creation of a new urban space that once again gives the river back to New Yorkers.
Reviews / Votes
"That interval between death and renewal is what Shelley Seccombe has so beautifully documented... capturing both the everyday and the catastrophic, in all weathers and conditions of light, [she] allows us now to share her passionate enthusiasm for this raked-over, enduring hunk of city where the land meets the water and sky." -- -from the introduction by Phillip LopateMore details
Language
English
Place of publication
New York
United States
Product notice
Paperback (trade)
Dimensions
Height: 210 mm
Width: 241 mm
ISBN-13
978-0-8232-2845-4 (9780823228454)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Phillip Lopate, a Brooklyn native, has written three personal essay collections-Bachelorhood, Against Joie de Vivre, and Portrait of My Body; two novels, Confessions of Summer and The Rug Merchant; two poetry collections; a collection of his movie criticism, Totally Tenderly Tragically; and an urbanist meditation, Waterfront: A Journey Around Manhattan. Lopate also has edited several anthologies, including The Art of the Personal Essay and Writing New York. His essays, fiction, poetry, film, and architectural criticism have appeared in The Best American Short Stories, The Best American Essays (1987), several Pushcart Prize annuals, The Paris Review, Harper's, Vogue, Esquire, Threepenny Review, the New York Times, Preservation, Cite, Metropolis, and many other periodicals and anthologies. Lopate has also taught creative writing and literature at Fordham University, Cooper Union, the University of Houston, and New York University. He is a Professor at Columbia University, where he directs the nonfiction concentration in the graduate writing program.