Tragedy, Ritual and Money in Ancient Greece
Selected Essays
Published on 22. November 2018
Book
Hardback
498 pages
978-1-107-17171-8 (ISBN)
Description
Richard Seaford is one of the most original and provocative classicists of his age. This volume brings together a wide range of papers written with a single focus. Several are pioneering explorations of the tragic evocation and representation of rites of passage: mystic initiation, the wedding, and death ritual. Two papers focus on the shaping power of mystic initiation in two famous passages in the New Testament. The other key factor in the historical context of tragedy is the recent monetisation of Athens. One paper explores the presence of money in Greek tragedy, another the shaping influence of money on Wagner's Ring and on his Aeschylean model. Other papers reveal the influence of ritual and money on representations of the inner self, and on Greek and Indian philosophy. A final piece finds in Greek tragedy horror at the destructive unlimitedness of money that is still central to our postmodern world.
More details
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
Product notice
Laminated cover
Dimensions
Height: 235 mm
Width: 158 mm
Thickness: 25 mm
Weight
940 gr
ISBN-13
978-1-107-17171-8 (9781107171718)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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07/2024
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11/2018
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10/2018
Cambridge University Press
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Persons
Richard Seaford is Emeritus Professor of Ancient Greek at the University of Exeter. He is the author of numerous papers and books on ancient Greek texts from Homer to the New Testament, among which are Money and the Early Greek Mind: Homer, Philosophy, Tragedy (Cambridge, 2004) and Cosmology and the Polis: The Social Construction of Space and Time in the Tragedies of Aeschylus (Cambridge, 2012). He has a particular interest in uncovering the relationship between the economy, ritual, philosophy, and drama. He is currently completing a historical comparison of early Greek with early Indian thought. He has been a Fellow of the National Humanities Center (USA), a Distinguished Visiting Professor at the University of Texas at Austin, and Honorary President of the British Classical Association. His research has been funded by the Leverhulme Foundation and the Arts and Humanities Research Council. Rrobert Bostock was awarded a Ph.D. in Classics from the University of Exeter in 2007. He is an Adjunct Associate Lecturer at the University of New England, Australia.
Content
Foreword; Part I. Tragedy: General: 1. Homeric and tragic sacrifice; 2. Dionsysos as destroyer of the household: Homer, tragedy and the Polis; 3. Dionysos, money and drama; 4. Tragic money; 5. Tragic tyranny; 6. Aeschylus and the Unity of Opposites; Part II. Performance and the Mysteries: 7. The 'Hyporchema' of Pratinas; 8. The politics of the mystic; 9. Immortality, salvation and the elements; 10. Sophocles and the mysteries; Part III. Tragedy and Death Ritual: 11. The last bath of Agamemnon; 12. The destruction of limits in Sophocles' Electra; Part IV. Tragedy and Marriage: 13. The tragic wedding; 14. The structural problems of marriage in Euripides; Part V. New Testament: 15. 1 Corinthians 13.12: 'Through A Glass Darkly'; 16. Thunder, lightning and earthquake in the Bacchae and The Acts of The Apostles; Part VI. The Inner Self: 17. Monetisation and the genesis of the Western subject; 18. The fluttering soul; Part VII. Inida and Greece: 19. Why did the Greeks not have Karma?; Part VIII. Money and Modernity: 20. Form and money in Wagner's Ring and Aeschylean tragedy; 21. World without limits.