
Boundaries, Passages, Transitions
Essays in Irish Literature, Culture and Politics in Honour of Werner Huber
Hedwig Schwall(Editor)
WVT Wissenschaftlicher Verlag Trier
Published on 19. January 2018
Book
Paperback/Softback
274 pages
978-3-86821-742-1 (ISBN)
Description
Irish Studies in Europe
is the title of a series of publications in Irish Studies whose thematic and methodological range goes well beyond literary studies to include aspects of cultural studies in the broadest sense. The main emphasis is, of course, on the island of Ireland (the Republic of Ireland and Northern Ireland) as well as the Irish diaspora in all aspects of society, history, culture, literature, the arts, and the media.
The "European" dimension suggested by the series title is an indication of a prioritised, but by no means exclusive, concentration on (mainland) European perspectives on Irish Studies. It is hoped that such an "etic" approach, as it were, may contribute a special dimension to the progress of Irish Studies at large and document the variety of European traditions of Irish Studies as inter- and multi-disciplinary fields of research, study, and teaching. Thus, the programme of this series is a deliberate reflection of the objectives of The European Federation of Associations and Centres of Irish Studies (EFACIS) , under whose aegis the series is published.
Contents:
Boundaries, Passages, Transitions: An Introduction (Hedwig Schwall) - Going Global? (Declan Kiberd) - "Ungenerous, though not mean": Scheme for the Purchase of Evacuated Dwellings (Katherine Side) - Performing Belfast: Stewart Parker's Northern Star (1984) and Pentecost (1987) (Stefanie Lehner) - "Beyond the Troubles": Parody and the Northern Irish Thriller in Ceasefire Cinema (Stephanie Schwerter) - Gaelic games and the films of John Ford (Seán Crosson) - Intermedial Drama and the Commodification of Irish Identities (Jochen Achilles) - "Did you like how I made that turn, Officer?": Martin McDonagh's Hangmen (Ondrej Pilný) - Martin McDonagh's Epistemological Instability: The Noose of Hangmen (Joan FitzPatrick Dean) - Post-Celtic Tiger Crisis Genderized and the Escape to Virtual Realities in Nancy Harris's No Romance (Mária Kurdi) - Another Listen to the Music in James Joyce's "A Mother" (Gerry Smyth) - Out of Joint: James Joyce and 'Irish Time' (Paul Fagan) - 'Sigmund Freud . Analyze This': The Joys of Freud and the 'Cycloannalism' of Finnegans Wake (Tamara Radak) - Beyond England: Bringing Ireland into the Victorian Novel, the Case of Anthony Trollope (John McCourt) - "The soul within me burned / Italia, my Italia, at thy name": Wilde's Early Poems and his Fascination with Italy (Donatella Abbate Badin) - Beyond Transition: Elizabeth Bowen's Seven Winters (Elena Cotta Ramusino) - The House of Fiction: Dermot Healy's Short Stories (Keith Hopper and Neil Murphy) - Race and Ethnicity across the Atlantic: Revising the Discourse of Nation-Building in Colum McCann's Transatlantic , Sebastian Barry's On Canaan's Side and Colm Tóibín's Brooklyn (Sylvie Mikowski) - Werner Huber Testimonies (The English department of the University of Vienna, Klaus Lubbers, Catherine Maignant, Filomena Louro, Giovanna Tallone, Paul Fagan, Seán Crosson)
The "European" dimension suggested by the series title is an indication of a prioritised, but by no means exclusive, concentration on (mainland) European perspectives on Irish Studies. It is hoped that such an "etic" approach, as it were, may contribute a special dimension to the progress of Irish Studies at large and document the variety of European traditions of Irish Studies as inter- and multi-disciplinary fields of research, study, and teaching. Thus, the programme of this series is a deliberate reflection of the objectives of The European Federation of Associations and Centres of Irish Studies (EFACIS) , under whose aegis the series is published.
Contents:
Boundaries, Passages, Transitions: An Introduction (Hedwig Schwall) - Going Global? (Declan Kiberd) - "Ungenerous, though not mean": Scheme for the Purchase of Evacuated Dwellings (Katherine Side) - Performing Belfast: Stewart Parker's Northern Star (1984) and Pentecost (1987) (Stefanie Lehner) - "Beyond the Troubles": Parody and the Northern Irish Thriller in Ceasefire Cinema (Stephanie Schwerter) - Gaelic games and the films of John Ford (Seán Crosson) - Intermedial Drama and the Commodification of Irish Identities (Jochen Achilles) - "Did you like how I made that turn, Officer?": Martin McDonagh's Hangmen (Ondrej Pilný) - Martin McDonagh's Epistemological Instability: The Noose of Hangmen (Joan FitzPatrick Dean) - Post-Celtic Tiger Crisis Genderized and the Escape to Virtual Realities in Nancy Harris's No Romance (Mária Kurdi) - Another Listen to the Music in James Joyce's "A Mother" (Gerry Smyth) - Out of Joint: James Joyce and 'Irish Time' (Paul Fagan) - 'Sigmund Freud . Analyze This': The Joys of Freud and the 'Cycloannalism' of Finnegans Wake (Tamara Radak) - Beyond England: Bringing Ireland into the Victorian Novel, the Case of Anthony Trollope (John McCourt) - "The soul within me burned / Italia, my Italia, at thy name": Wilde's Early Poems and his Fascination with Italy (Donatella Abbate Badin) - Beyond Transition: Elizabeth Bowen's Seven Winters (Elena Cotta Ramusino) - The House of Fiction: Dermot Healy's Short Stories (Keith Hopper and Neil Murphy) - Race and Ethnicity across the Atlantic: Revising the Discourse of Nation-Building in Colum McCann's Transatlantic , Sebastian Barry's On Canaan's Side and Colm Tóibín's Brooklyn (Sylvie Mikowski) - Werner Huber Testimonies (The English department of the University of Vienna, Klaus Lubbers, Catherine Maignant, Filomena Louro, Giovanna Tallone, Paul Fagan, Seán Crosson)
More details
Series
Language
English
Place of publication
Trier
Germany
Target group
College/higher education
Professional and scholarly
Edition type
New edition
Product notice
Klappenbroschur
Dimensions
Height: 21 cm
Width: 14.8 cm
Weight
504 gr
ISBN-13
978-3-86821-742-1 (9783868217421)
Schweitzer Classification
Person
Content
CONTENTS
ACKNOWLEDGEMENTS vii
Hedwig Schwall (KU Leuven)
BOUNDARIES, PASSAGES, TRANSITIONS: AN INTRODUCTION 1
TRANSITIONING BOUNDARIES 11
Declan Kiberd (University of Notre Dame)
GOING GLOBAL? 13
Katherine Side (Memorial University of Newfoundland)
"UNGENEROUS, THOUGH NOT MEAN": THE SCHEME FOR THE PURCHASE
OF EVACUATED DWELLINGS, BELFAST, NORTHERN IRELAND 25
DRAMA AND FILM 41
Stefanie Lehner (Queen's University Belfast)
PERFORMING BELFAST: STEWART PARKER'S NORTHERN STAR (1984)
AND PENTECOST (1987) 43
Stephanie Schwerter (University of Valenciennes)
"BEYOND THE TROUBLES": PARODY AND THE NORTHERN IRISH THRILLER
IN CEASEFIRE CINEMA 55
Seán Crosson (National University of Ireland, Galway)
GAELIC GAMES AND THE FILMS OF JOHN FORD 67
Jochen Achilles (University of Würzburg)
INTERMEDIAL DRAMA AND THE COMMODIFICATION OF IRISH IDENTITIES 77
Ondrej Pilný (Charles University Prague)
"DID YOU LIKE HOW I MADE THAT TURN, OFFICER?":
MARTIN MCDONAGH'S HANGMEN AND CAPITAL PUNISHMENT 91
Joan FitzPatrick Dean
MARTIN MCDONAGH'S EPISTEMOLOGICAL INSTABILITY: THE NOOSE OF HANGMEN 101
Mária Kurdi (University of Pécs)
POST-CELTIC TIGER CRISIS GENDERIZED AND THE ESCAPE TO VIRTUAL REALITIES
IN NANCY HARRIS'S NO ROMANCE 113
FICTION 127
Gerry Smyth (John Moores University Liverpool)
ANOTHER LISTEN TO THE MUSIC IN JAMES JOYCE'S "A MOTHER" 129
Paul Fagan (Salzburg University/University of Vienna)
OUT OF JOINT: JAMES JOYCE AND 'IRISH TIME' 143
Tamara Radak (University of Vienna)
'SIGMUND FREUD . ANALYZE THIS': THE JOYS OF FREUD
AND THE 'CYCLOANNALISM' OF FINNEGANS WAKE 163
John McCourt (Macerata University)
BEYOND ENGLAND: BRINGING IRELAND INTO THE VICTORIAN NOVEL,
THE CASE OF ANTHONY TROLLOPE 179
Donatella Abbate Badin (University of Turin)
"THE SOUL WITHIN ME BURNED / ITALIA, MY ITALIA, AT THY NAME":
WILDE'S EARLY POEMS AND HIS FASCINATION WITH ITALY 193
Elena Cotta Ramusino (University of Pavia)
BEYOND TRANSITION: ELIZABETH BOWEN'S SEVEN WINTERS 209
Keith Hopper and Neil Murphy (University of Oxford and
Nanyang Technical University, Singapore)
THE HOUSE OF FICTION: DERMOT HEALY'S SHORT STORIES 219
Sylvie Mikowski (University of Reims-Champagne)
RACE AND ETHNICITY ACROSS THE ATLANTIC: REVISING THE DISCOURSE
OF NATION-BUILDING IN COLUM MCCANN'S TRANSATLANTIC,
SEBASTIAN BARRY'S ON CANAAN'S SIDE AND COLM TÓIBÍN'S BROOKLYN 233
WERNER HUBER TESTIMONIES 245
The English department of the University of Vienna 247
Klaus Lubbers (Germany) 249
Catherine Maignant (France) 251
Filomena Louro (Portugal) 253
Giovanna Tallone (Italy) 255
Paul Fagan (Austria) 257
Seán Crosson (Ireland) 259
Notes on Contributors 261
ACKNOWLEDGEMENTS vii
Hedwig Schwall (KU Leuven)
BOUNDARIES, PASSAGES, TRANSITIONS: AN INTRODUCTION 1
TRANSITIONING BOUNDARIES 11
Declan Kiberd (University of Notre Dame)
GOING GLOBAL? 13
Katherine Side (Memorial University of Newfoundland)
"UNGENEROUS, THOUGH NOT MEAN": THE SCHEME FOR THE PURCHASE
OF EVACUATED DWELLINGS, BELFAST, NORTHERN IRELAND 25
DRAMA AND FILM 41
Stefanie Lehner (Queen's University Belfast)
PERFORMING BELFAST: STEWART PARKER'S NORTHERN STAR (1984)
AND PENTECOST (1987) 43
Stephanie Schwerter (University of Valenciennes)
"BEYOND THE TROUBLES": PARODY AND THE NORTHERN IRISH THRILLER
IN CEASEFIRE CINEMA 55
Seán Crosson (National University of Ireland, Galway)
GAELIC GAMES AND THE FILMS OF JOHN FORD 67
Jochen Achilles (University of Würzburg)
INTERMEDIAL DRAMA AND THE COMMODIFICATION OF IRISH IDENTITIES 77
Ondrej Pilný (Charles University Prague)
"DID YOU LIKE HOW I MADE THAT TURN, OFFICER?":
MARTIN MCDONAGH'S HANGMEN AND CAPITAL PUNISHMENT 91
Joan FitzPatrick Dean
MARTIN MCDONAGH'S EPISTEMOLOGICAL INSTABILITY: THE NOOSE OF HANGMEN 101
Mária Kurdi (University of Pécs)
POST-CELTIC TIGER CRISIS GENDERIZED AND THE ESCAPE TO VIRTUAL REALITIES
IN NANCY HARRIS'S NO ROMANCE 113
FICTION 127
Gerry Smyth (John Moores University Liverpool)
ANOTHER LISTEN TO THE MUSIC IN JAMES JOYCE'S "A MOTHER" 129
Paul Fagan (Salzburg University/University of Vienna)
OUT OF JOINT: JAMES JOYCE AND 'IRISH TIME' 143
Tamara Radak (University of Vienna)
'SIGMUND FREUD . ANALYZE THIS': THE JOYS OF FREUD
AND THE 'CYCLOANNALISM' OF FINNEGANS WAKE 163
John McCourt (Macerata University)
BEYOND ENGLAND: BRINGING IRELAND INTO THE VICTORIAN NOVEL,
THE CASE OF ANTHONY TROLLOPE 179
Donatella Abbate Badin (University of Turin)
"THE SOUL WITHIN ME BURNED / ITALIA, MY ITALIA, AT THY NAME":
WILDE'S EARLY POEMS AND HIS FASCINATION WITH ITALY 193
Elena Cotta Ramusino (University of Pavia)
BEYOND TRANSITION: ELIZABETH BOWEN'S SEVEN WINTERS 209
Keith Hopper and Neil Murphy (University of Oxford and
Nanyang Technical University, Singapore)
THE HOUSE OF FICTION: DERMOT HEALY'S SHORT STORIES 219
Sylvie Mikowski (University of Reims-Champagne)
RACE AND ETHNICITY ACROSS THE ATLANTIC: REVISING THE DISCOURSE
OF NATION-BUILDING IN COLUM MCCANN'S TRANSATLANTIC,
SEBASTIAN BARRY'S ON CANAAN'S SIDE AND COLM TÓIBÍN'S BROOKLYN 233
WERNER HUBER TESTIMONIES 245
The English department of the University of Vienna 247
Klaus Lubbers (Germany) 249
Catherine Maignant (France) 251
Filomena Louro (Portugal) 253
Giovanna Tallone (Italy) 255
Paul Fagan (Austria) 257
Seán Crosson (Ireland) 259
Notes on Contributors 261