
Escape Velocity
American Science Fiction Film, 1950-1982
Bradley Schauer(Author)
Wesleyan University Press
Published on 13. February 2017
Book
Hardback
264 pages
978-0-8195-7658-3 (ISBN)
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Description
Today, movie theaters are packed with audiences of all ages marveling to exciting science fiction blockbusters, many of which are also critically acclaimed. However, when the science fiction film genre first emerged in the 1950s, it was represented largely by exploitation horror films-lurid, culturally disreputable, and appealing to a niche audience of children and sci-fi buffs. How did the genre evolve from B-movie to blockbuster? Escape Velocity charts the historical trajectory of American science fiction cinema, explaining how the genre transitioned from eerie low-budget horror like It Came from Outer Space to art films like Slaughterhouse-Five, and finally to the extraordinary popularity of hits like E.T. Bradley Schauer draws on primary sources such as internal studio documents, promotional materials, and film reviews to explain the process of cultural, aesthetic, and economic legitimation that occurred between the 1950s and 1980s, as pulp science fiction tropes were adapted to suit the tastes of mainstream audiences. Considering the inescapable dominance of today's effects-driven blockbusters, Escape Velocity not only charts the history of science fiction film, but also gives an account of the origins of contemporary Hollywood.
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Series
Language
English
Place of publication
United States
Target group
College/higher education
Illustrations
25 illus.
Dimensions
Height: 229 mm
Width: 152 mm
ISBN-13
978-0-8195-7658-3 (9780819576583)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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E-Book
01/2017
Wesleyan University Press
€17.49
Available for download
Person
BRADLEY SCHAUER is assistant professor in the School of Theatre, Film & Television at the University of Arizona. His articles have appeared in Film History, The Velvet Light Trap, and The Quarterly Review of Film and Video.