
New Medieval Literatures 21
D.S. Brewer (Publisher)
Published on 19. March 2021
Book
Hardback
229 pages
978-1-84384-586-7 (ISBN)
Description
Cutting-edge and fresh new outlooks on medieval literature, emphasising the vibrancy of the field.
New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined.
Essays in this volume engage with a wide range of subject matter, from as far back as Livy (d.c.AD 12/18) to Erwin Panofsky (d. 1968). They demonstrate that medieval textual cultures is a radically negotiable category and that medieval understandings of the past were equally diverse and unstable.They reflect on relationships between history, texts, and truth from a range of perspectives, from Foucault to "truthiness", a twenty-first-century media coinage. Materiality and the technical crafts with which humans engage withthe natural world are recurrent themes, opening up new insights on mysticism, knighthood, and manuscript production and reception. Analysis of manuscript illuminations offers new understandings of identity and diversity, while a survey of every thirteenth-century manuscript that contains English currently in Oxford libraries yields a challenging new history of script. Particular texts discussed include Chretien de Troyes's Conte du Graal, Richard Rolle's Incendium amoris and Melos amoris, and the Middle English verse romances Lybeaus Desconus, The Erle of Tolous, Amis and Amiloun, and Sir Gawain and the Green Knight.
New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined.
Essays in this volume engage with a wide range of subject matter, from as far back as Livy (d.c.AD 12/18) to Erwin Panofsky (d. 1968). They demonstrate that medieval textual cultures is a radically negotiable category and that medieval understandings of the past were equally diverse and unstable.They reflect on relationships between history, texts, and truth from a range of perspectives, from Foucault to "truthiness", a twenty-first-century media coinage. Materiality and the technical crafts with which humans engage withthe natural world are recurrent themes, opening up new insights on mysticism, knighthood, and manuscript production and reception. Analysis of manuscript illuminations offers new understandings of identity and diversity, while a survey of every thirteenth-century manuscript that contains English currently in Oxford libraries yields a challenging new history of script. Particular texts discussed include Chretien de Troyes's Conte du Graal, Richard Rolle's Incendium amoris and Melos amoris, and the Middle English verse romances Lybeaus Desconus, The Erle of Tolous, Amis and Amiloun, and Sir Gawain and the Green Knight.
Reviews / Votes
The seven essays in this collection maintain the high standard of scholarship that typifes the series [...] All the essays in this collection are the fruit of meticulous textual study and intense intellectual engagement. [...] This book will be of equal interest to students of European history, art bu?s, textual and literary critics, and manuscript historians. -- PARERGONMore details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
30 s/w Abbildungen
30 b/w illus.
Dimensions
Height: 222 mm
Width: 145 mm
Thickness: 16 mm
Weight
426 gr
ISBN-13
978-1-84384-586-7 (9781843845867)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
WENDY SCASE is Emeritus Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham. LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford. PHILIP KNOX is Associate Professor in the Faculty of English at the University of Cambridge. KELLIE ROBERTSON is Professor of English and Comparative Literature at the University of Maryland. LUCY BROOKES is the Fitzjames Research Fellow in Medieval English Language and Literature at Merton College, University of Oxford.
Editor
Contributions
Contributor
Content
'Chevaliers estre deuesiez': Genealogy and Historical Sense in Chretien de Troyes's Conte du Graal - Genevieve Young
English Vernacular Script in the Thirteenth Century (c.1175-c.1325) - Matthew Aiello
The Manuscript as Agent: The Politics of London, British Library, Additional MS 15268 (Histoire ancienne jusqu'a Cesar) - Johannes Junge Ruhland
Repetition, Craft-Knowledge, and Richard Rolle's Creaturely Sublime - Adin Lears
Truth-telling and Truthiness in the Middle English Popular Romances - Lucy Brookes
Assaying the Deer Drive in Sir Gawain and the Green Knight - Casey Ireland
The Past of the Past: Historical Distance and the Medieval Image - Jessica Berenbeim
English Vernacular Script in the Thirteenth Century (c.1175-c.1325) - Matthew Aiello
The Manuscript as Agent: The Politics of London, British Library, Additional MS 15268 (Histoire ancienne jusqu'a Cesar) - Johannes Junge Ruhland
Repetition, Craft-Knowledge, and Richard Rolle's Creaturely Sublime - Adin Lears
Truth-telling and Truthiness in the Middle English Popular Romances - Lucy Brookes
Assaying the Deer Drive in Sir Gawain and the Green Knight - Casey Ireland
The Past of the Past: Historical Distance and the Medieval Image - Jessica Berenbeim