
The Beverley Collection of Gems at Alnwick Castle
Philip Wilson Publishers Ltd
Published on 23. November 2016
Book
Hardback
352 pages
978-1-78130-044-2 (ISBN)
Description
The Beverley Gem Collection at Alnwick Castle is one of the most distinguished in Great Britain still in private hands.
Alnwick Castle, ancestral seat of the Earls of Northumberland - and the House of Percy - was built as a border fortress against the Scots in the twelfth century, if not earlier. Substantially enlarged in the fourteenth and fifteenth centuries, and remaining in Percy family hands to this day, it stands now as a prime example of robust stone defensive architecture. Much visited and admired for its impressive exterior, this dramatic stronghold and stately home is the setting for this collection.
The Beverley Collection reflects the longstanding interest of the English nobility in both accumulating and commissioning gemstones. The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector.
The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling.
The Collection has been little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.
Alnwick Castle, ancestral seat of the Earls of Northumberland - and the House of Percy - was built as a border fortress against the Scots in the twelfth century, if not earlier. Substantially enlarged in the fourteenth and fifteenth centuries, and remaining in Percy family hands to this day, it stands now as a prime example of robust stone defensive architecture. Much visited and admired for its impressive exterior, this dramatic stronghold and stately home is the setting for this collection.
The Beverley Collection reflects the longstanding interest of the English nobility in both accumulating and commissioning gemstones. The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector.
The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling.
The Collection has been little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.
Reviews / Votes
'It is not only the gem-specialists among classical archaeologists and art-historians, or students of the reception of antiquity and history of collecting, who will study this publication with the greatest interest, but all lovers of antiquity and art: they will delight in the mastery of the gem-engraver, the beauty of his works and the variety of subjects portrayed, all presented here so captivatingly and so splendidly.'- Erika Zwierlein-Diehl, Honorary Professor of Classical Archaeology, Bonn University, 'This splendid volume for the first time makes accessible a noble collection of the highest importance, combining stunning new photographs with erudite, yet accessible, scholarship. Ancient, Renaissance, and more recent cameos and intaglios - along with their colourful histories - will delight and inform all readers who have an interest in engraved gems, classical art and the history of virtu.' - Kenneth Lapatin, Curator of Antiquities, J Paul Getty Museum, Los AngelesMore details
Series
Language
English
Place of publication
London
United Kingdom
Illustrations
532 colour
Dimensions
Height: 274 mm
Width: 206 mm
Thickness: 34 mm
Weight
1600 gr
ISBN-13
978-1-78130-044-2 (9781781300442)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Diana Scarisbrick, a noted authority on engraved gems and jewellery of all periods, is a Research Associate of the Beazley Archive in the University of Oxford. Her many publications include Finger Rings: Ancient and Modern (2006) and Rings: Miniature Monuments to Love, Power and Devotion (2014).
Claudia Wagner is a Senior Researcher at the Beazley Archive, where she directs the gems databases and research programme, and Senior Research Lecturer at Lady Margaret Hall, Oxford. She is co-author (with John Boardman) of The Marlborough Gems (2009).
Sir John Boardman, FBA, is Emeritus Lincoln Professor of Classical Archaeology and Art in the University of Oxford. His many books include Greek Gems and Finger Rings (2001), The Greeks Overseas (1999), Greek Art (2012), The History of Greek Vases (2006), and The World of Ancient Art (2006).
The three authors collectively wrote The Guy Ladriere Collection of Gems and Rings (published by Philip Wilson Publishers in 2015).
Claudia Wagner is a Senior Researcher at the Beazley Archive, where she directs the gems databases and research programme, and Senior Research Lecturer at Lady Margaret Hall, Oxford. She is co-author (with John Boardman) of The Marlborough Gems (2009).
Sir John Boardman, FBA, is Emeritus Lincoln Professor of Classical Archaeology and Art in the University of Oxford. His many books include Greek Gems and Finger Rings (2001), The Greeks Overseas (1999), Greek Art (2012), The History of Greek Vases (2006), and The World of Ancient Art (2006).
The three authors collectively wrote The Guy Ladriere Collection of Gems and Rings (published by Philip Wilson Publishers in 2015).
Content
Preface
Abbreviations
The Beverley Gems
The 1st Duchess' Collection
Records of Beverley Gems, Casts, Etc.
Catalogue of the Gems at Alnwick Castle
Cameos
With Artists' Names (Ancient and Modern)
Groups and Figures
Cameo Glass
Single Figures
Heads
Animals and Objects
Intaglios
Signatures with Ancient Names
Signatures with Modern Names
Etruscan, Etruscanising and Italic
Multifigure Groups
Single Figures
Heads and Busts, Male
Heads and Busts, Female
Animals and Monsters
Masks and Objects
Other
The Emperor's Necklace
Glass Portraits
Tassie and Catherine the Great
Indexes
Index to Previous Collections
Index to Artists
Index to Subjects
List of Inscriptions
Pictorial Index
Abbreviations
The Beverley Gems
The 1st Duchess' Collection
Records of Beverley Gems, Casts, Etc.
Catalogue of the Gems at Alnwick Castle
Cameos
With Artists' Names (Ancient and Modern)
Groups and Figures
Cameo Glass
Single Figures
Heads
Animals and Objects
Intaglios
Signatures with Ancient Names
Signatures with Modern Names
Etruscan, Etruscanising and Italic
Multifigure Groups
Single Figures
Heads and Busts, Male
Heads and Busts, Female
Animals and Monsters
Masks and Objects
Other
The Emperor's Necklace
Glass Portraits
Tassie and Catherine the Great
Indexes
Index to Previous Collections
Index to Artists
Index to Subjects
List of Inscriptions
Pictorial Index