
No Power Without an Image
Icons Between Photography and Film
Libby Saxton(Author)
Edinburgh University Press
Published on 25. August 2022
Book
Paperback/Softback
192 pages
978-1-4744-6316-4 (ISBN)
Description
The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.
Reviews / Votes
This book is a sophisticated and subtle discussion of the hitherto forgotten contexts of iconic photographs, which demonstrates the complex intertextuality of the historic photograph and the dangers inherent in isolating it from its place in visual culture. -- Damian Sutton, University of Coventry A singularly important and rich intervention that explores the entwined media of film and photography as they shape some of the world's most iconic photographs. The book is ambitious and assured in its international scope and scale, combining rigorous historical and archival research with powerful textual analysis. Still images move, and move us, the book argues, and the cinema is a motor force in this movement. -- Guy Westwell, Queen Mary University of LondonMore details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
17 black and white illustrations
Dimensions
Height: 230 mm
Width: 152 mm
Thickness: 11 mm
Weight
306 gr
ISBN-13
978-1-4744-6316-4 (9781474463164)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
09/2020
1st Edition
Edinburgh University Press
€21.49
Available for download
Person
Libby Saxton is Reader in Film Studies at Queen Mary, University of London. She is author of Haunted Images: Film, Ethics, Testimony and the Holocaust (Wallflower, 2008), co-author of Film and Ethics: Foreclosed Encounters (Routledge, 2010) and co-editor of Holocaust Intersections: Genocide and Visual Culture at the New Millennium (Legenda: 2013). She is writing a book on iconic images, photography and cinema.
Content
List of IllustrationsAcknowledgements
Introduction
1. Paper, Water, Ice: The Falling Soldier
2. The Double Life of the Gestapo Informer
3. Apocalyptic Stillness: The Self-Immolators
4. The Face of the Crowd: Che
5. Film Frame, Film Still, Star Portrait: The Marianne of '68
Epilogue. Protesting Women
BibliographyFilmography
Introduction
1. Paper, Water, Ice: The Falling Soldier
2. The Double Life of the Gestapo Informer
3. Apocalyptic Stillness: The Self-Immolators
4. The Face of the Crowd: Che
5. Film Frame, Film Still, Star Portrait: The Marianne of '68
Epilogue. Protesting Women
BibliographyFilmography