
Translocations
Histories of Dislocated Cultural Assets
transcript (Publisher)
1st Edition
Will be published approx. in June 2027
Book
Paperback/Softback
290 pages
978-3-8376-5336-6 (ISBN)
Description
Who owns cultural assets? Who has narrative control? What could fair and just approaches to dislocations of cultural assets look like, independently of restitution?Discussions about historical appropriation practices for cultural assets in the context of their associated relocation are highly topical and widely reflected across different academic disciplines. Such questions increasingly concern those who work in the art market, museums, politics and the media, scholars from diverse disciplines, as well as artists and writers. This volume examines the translocations as such, which rarely come into focus. The contributions address the people involved, the related traumas, discourses, gestures, techniques, and representations.
More details
Series
Language
English
Place of publication
Bielefeld
Germany
Target group
Professional and scholarly
Product notice
Klappenbroschur
Illustrations
24
24 farbige Abbildungen
Klebebindung, 24 Farbabbildungen
Dimensions
Height: 225 mm
Width: 148 mm
Thickness: 15 mm
Weight
453 gr
ISBN-13
978-3-8376-5336-6 (9783837653366)
Schweitzer Classification
Other editions
Additional editions

Bénédicte Savoy | Felicity Bodenstein | Merten Lagatz
Translocations
Histories of Dislocated Cultural Assets
E-Book
approx. 02/2027
1st Edition
transcript
€0.00
Not yet available
Persons
Benedicte Savoy (Prof. Dr.) teaches modern art history at the Technische Universitaet Berlin and holds an international chair at the College de France, Paris. In 2016 she was awarded the Leibniz Prize by the German Research Foundation. She is a member of the Berlin-Brandenburg Academy of Sciences and Humanities and of the German Academy for Language and Literature. Together with Professor Felwine Sarr she delivered a report commissioned by the French president Emmanuel Macron on proposals for the restitution of African cultural objects in French museums. Felicity Bodenstein (Dr.) teaches collection and museum history at the Sorbonne University in Paris. Prior to this, she was a research assistant in Prof. Benedicte Savoy's "translocations" project at the Technische Universitaet Berlin and works on questions of the art market and the museography of objects looted in Benin in 1897. Merten Lagatz is project coordinator of the Leibniz Prize-funded (DFG) project cluster translocations Historical Inquiries into the Displacement of Cultural Assets at the chair of modern art history at Technische Universitaet Berlin. He studied theater studies, German literature, and art history with a focus on museum history. His research interests include the postwar history and theory of architecture, queer practices, and the arts in the now.
Editor
Felicity Bodenstein, Technische Universität Berlin, Deutschland