Reconocimientos
A Memoir of Becoming
Published on 6. May 2025
Book
Paperback/Softback
160 pages
978-1-5315-1005-3 (ISBN)
Description
What is the relationship between a writer's life, milieu, and thought? In this daring and intellectually expansive text, part memoir and part political philosophy, the anthropologist Rafael Sanchez explores the forces and events that shaped him and the nations through which he moved.
Reconocimientos is a book of both personal and political reckoning, from the thrillingly emancipatory possibilities of Venezuela's plazas to the political promise and disappointments of revolution. Written in the final year of his life, Reconocimientos moves from scenes of Sanchez's youth in Cuba to fieldwork on the cult of Maria Lionza in Venezuela to confront the terrifying and alluring forces of patriarchal privilege at the base of monumentalist authoritarianism.
Sanchez's intimate prose speaks with the urgency both of his own mortality and of the political crises of our moment. Amid the resurgence of patriarchy, hierarchy, and the valorization of inequality that have become pillars of populist movements in Latin America and beyond, Sanchez finds a residual radical possibility in 'horizontal' spaces, where the forces of mimesis permit manifold transformations.
Reconocimientos is a book of both personal and political reckoning, from the thrillingly emancipatory possibilities of Venezuela's plazas to the political promise and disappointments of revolution. Written in the final year of his life, Reconocimientos moves from scenes of Sanchez's youth in Cuba to fieldwork on the cult of Maria Lionza in Venezuela to confront the terrifying and alluring forces of patriarchal privilege at the base of monumentalist authoritarianism.
Sanchez's intimate prose speaks with the urgency both of his own mortality and of the political crises of our moment. Amid the resurgence of patriarchy, hierarchy, and the valorization of inequality that have become pillars of populist movements in Latin America and beyond, Sanchez finds a residual radical possibility in 'horizontal' spaces, where the forces of mimesis permit manifold transformations.
More details
Edition
New edition
Language
English
Place of publication
New York
United States
Target group
College/higher education
Edition type
New edition
Product notice
Paperback (trade)
Dimensions
Height: 126 mm
Width: 204 mm
Thickness: 10 mm
Weight
170 gr
ISBN-13
978-1-5315-1005-3 (9781531510053)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Luis Perez-Oramas (Afterword By)
Luis Perez-Oramas is a Venezuelan poet, art historian and curator. He is the author of eleven volumes of poetry and numerous catalogue texts and critical essays. In 2011, he was Curatorial Director of the Sao Paolo Biennale. From 2006 to 2017, he was Latin American Art Curator at the Museum of Modern Art in New York City.
Claudio Lomnitz (Afterword By)
Claudio Lomnitz is Campbell Family Professor of Anthropology at Columbia University. He is the author, most recently, of Nuestra America: My Family in the Vertigo of Translation (2021).
Rafael Sanchez (Author)
Rafael Sanchez (1950-2024) was senior lecturer at the Geneva Graduate Institute. He is the author of Dancing Jacobins: A Venezuelan Genealogy of Latin American Populism (Fordham, 2016).
Rosalind C. Morris (Edited By)
Rosalind C. Morris is Professor of Anthropology at Columbia University. Her most recent books are Unstable Ground: The Lives, Deaths, and Afterlives of Gold in South Africa (Columbia, 2025) and, with William Kentridge, Accounts and Drawings from Underground (rev. ed., Seagull, 2021). Her most recent film is the documentary We are Zama Zama (2021).
Igor Barreto (Foreword By)
Igor Barreto is a Venezuelan poet, editor and translator. He has been Director of Publications at the Museo Jacobo Borges in Caracas, Director of the Cinemateca Nacional, Director of Collections of the Fundacion de Etnomusicologia y Folklore, and Director of Imprenta Anauco.
Luis Perez-Oramas is a Venezuelan poet, art historian and curator. He is the author of eleven volumes of poetry and numerous catalogue texts and critical essays. In 2011, he was Curatorial Director of the Sao Paolo Biennale. From 2006 to 2017, he was Latin American Art Curator at the Museum of Modern Art in New York City.
Claudio Lomnitz (Afterword By)
Claudio Lomnitz is Campbell Family Professor of Anthropology at Columbia University. He is the author, most recently, of Nuestra America: My Family in the Vertigo of Translation (2021).
Rafael Sanchez (Author)
Rafael Sanchez (1950-2024) was senior lecturer at the Geneva Graduate Institute. He is the author of Dancing Jacobins: A Venezuelan Genealogy of Latin American Populism (Fordham, 2016).
Rosalind C. Morris (Edited By)
Rosalind C. Morris is Professor of Anthropology at Columbia University. Her most recent books are Unstable Ground: The Lives, Deaths, and Afterlives of Gold in South Africa (Columbia, 2025) and, with William Kentridge, Accounts and Drawings from Underground (rev. ed., Seagull, 2021). Her most recent film is the documentary We are Zama Zama (2021).
Igor Barreto (Foreword By)
Igor Barreto is a Venezuelan poet, editor and translator. He has been Director of Publications at the Museo Jacobo Borges in Caracas, Director of the Cinemateca Nacional, Director of Collections of the Fundacion de Etnomusicologia y Folklore, and Director of Imprenta Anauco.
Content
Introduction
Rosalind C. Morris 1
A Note on the Text 13
Reconocimientos: A Memoir of Becoming 17
The Three Squares: Being, Having Been, Being Another
Luis Perez- Oramas 111
Afterword
Claudio Lomnitz 117
Notes 123
Rosalind C. Morris 1
A Note on the Text 13
Reconocimientos: A Memoir of Becoming 17
The Three Squares: Being, Having Been, Being Another
Luis Perez- Oramas 111
Afterword
Claudio Lomnitz 117
Notes 123