Nineteenth-Century Music
Selected Proceedings of the Tenth International Conference
Published on 24. July 2002
Book
Hardback
400 pages
978-0-7546-0205-7 (ISBN)
Description
This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 234 mm
Width: 156 mm
Weight
453 gr
ISBN-13
978-0-7546-0205-7 (9780754602057)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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11/2016
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Person
Jim Samson, Royal Holloway, University of London, UK and Bennett Zon, Durham University, UK Contributors: Andrew Bowie, Roger Scruton, Thomas S. Grey, John Deathridge, Alexander Rehding, James Deaville, Anna Harwell Celenza, Marta Grabocz, Cornelia Szabo-Knotik, Annegret Fauser, Andrea Musk, Clair Rowden, Friedemann Kawohl, Elizabeth Way Sullivan, Bennett Zon, Juanita Karpf, Harald Krebs.
Content
Contents: Editors' preface; Philosophy of music: Musical meaning?, Andrew Bowie; Wagner: The trial of Richard Wagner, Roger Scruton; Music as natural language in the moral order of Wagner's Ring: Siegfried, act 2, scene 3, Thomas S. Grey; Wagner and Mendelssohn, John Deathridge; Liszt: TrisZtan; or, the case of Liszt's 'Ich mA?chte hingehn', Alexander Rehding; The controversy surrounding Liszt's conception of programme music, James Deaville; Death transfigured: the origins and evolution of Franz Liszt's Totentanz, Anna Harwell Celenza; Common narrative structures in music and literature: a semio-stylistic investigation in the arts of the 19th century (Liszt and Goethe), MA!rta GrabA (3)cz; Changing aspects of the sacred and secular: Liszt's Legend of St Elisabeth in the Repertory of the K.K.Hof-Operntheater in Vienna, Cornelia SzabA (3)-Knotik; Mediating Music: Creating, collecting and publishing in 19th-century France: World Fair - World Music: musical politics in 1889 Paris, Annegret Fauser; Regionalism, Latinite and the French musical tradition: Deodat de Severac's Heliogabale, Andrea Musk; Herodiade: Church, state and the feminist movement, Clair Rowden; Music and Nation: Music copyright and the Prussian Copyright Act of 1837, Friedemann Kawohl; German nationalism and the reception of the Czech String Quartet in Vienna, Elizabeth Way Sullivan; Creation/Evolution: metaphoric syntheses in 19th- and early 20th-century music historiography in Britain, Bennett Zon; Women and Music: Art music and activist discourse: the case of the African-American musician Amelia Tilghman, Juanita Karpf; Josephine Lang and the Schumanns, Harald Krebs; Index.