Worn
Footwear, Attachment and the Affects of Wear
Published on 10. December 2020
Book
Hardback
272 pages
978-1-350-08718-7 (ISBN)
Description
Shortlisted for the Association of Dress Historians Book of the Year Award, 2021
In a culture preoccupied with newness and a fashion system largely predicated upon it, what is the significance of worn clothes and why do they have the power to affect us so deeply? How are relationships to clothing produced and maintained through the embodied practices of wearing, maintenance and repair? Through a focus upon a single garment, the shoe, this book calls on readers to reconsider the value of the marks of wear at a time when fast fashion reigns supreme and interest in damaged, or worn, garments quietly increases.
Originating in an experimental practice-based methodology which placed wearing at its center, this book presents the act of wearing as a tool for developing knowledge, of 'being in' or 'being with', rather than observing from the outside. Bringing together anthropological and psychoanalytic theory with practices of handmaking, wearing, and photography, this book asks what is the embodied experience of wearing and the affect of the worn?
Beautifully illustrated in full color throughout, Worn is the first book to focus exclusively on the significance of imperfect garments as important aspects of our material world and culture.
In a culture preoccupied with newness and a fashion system largely predicated upon it, what is the significance of worn clothes and why do they have the power to affect us so deeply? How are relationships to clothing produced and maintained through the embodied practices of wearing, maintenance and repair? Through a focus upon a single garment, the shoe, this book calls on readers to reconsider the value of the marks of wear at a time when fast fashion reigns supreme and interest in damaged, or worn, garments quietly increases.
Originating in an experimental practice-based methodology which placed wearing at its center, this book presents the act of wearing as a tool for developing knowledge, of 'being in' or 'being with', rather than observing from the outside. Bringing together anthropological and psychoanalytic theory with practices of handmaking, wearing, and photography, this book asks what is the embodied experience of wearing and the affect of the worn?
Beautifully illustrated in full color throughout, Worn is the first book to focus exclusively on the significance of imperfect garments as important aspects of our material world and culture.
Reviews / Votes
An inspirational burst amongst the conventional fashion studies texts that brings a new hybrid, which pushes and blurs the boundaries of approaches to theories and histories, to create a method of thinking that considers the rapidly transformative qualities of fashion. * Journal of Dress History * In a culture and fashion system that continues to be preoccupied with newness, the publication of Dr Ellen Sampson'sbook Worn could not be more poignant ... this research succeeds beautifully in its aim of returning the body and everyday practices of wear to the center of our relationships with clothing. * Fashion Theory * Perhaps more than any other media, worn dress can offer insights into lives lived and shoes, which over time alter to echo the contours of our feet, can be particularly redolent with meaning. Ellen Sampson's exploration is beautifully written, entirely accessible, poignant and profound. It will resonate with us all. * Amy de la Haye, London College of Fashion, University of the Arts London, UK * Ellen Sampson's evocative and thoughtful book eloquently explores the transformative relationships between ourselves and what we wear. Using shoes as an entry point into this larger discussion, Sampson's investigation of this entanglement is a joy to read. * Elizabeth Semmelhack, The Bata Shoe Museum, Canada * Sampson's outstanding book explores the entanglements of object, subject, thing and theory with confident yet insightful deftness. This perceptive and timely exploration of the embodied, worn experiences around garments offers important methodological thinking that will help transform future fashion research. * Hilary Davidson, dress and textiles historian and curator, Honorary Associate, University of Sydney, Australia * Ellen Sampson's book takes us on a powerful journey, helping us think through our physical and psychic entanglements with the worn, used clothing that forms the bulk of our own wardrobes. Using a practice-based approach, Sampson helps us creatively understand how objects "touch" us, challenging traditional views of fashion as commodity culture. * Alison Matthews David, Ryerson University, Canada *
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Product notice
sewn/stitched
Cloth over boards
With dust jacket
Illustrations
105 color illus
Dimensions
Height: 249 mm
Width: 193 mm
Thickness: 28 mm
Weight
916 gr
ISBN-13
978-1-350-08718-7 (9781350087187)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
12/2020
1st Edition
Bloomsbury Visual Arts
€26.49
Available for download
Person
Ellen Sampson is an artist, curator and material culture researcher. She is Vice Chancellor's Fellow in Design at Northumbria University, UK, and co-founder of the Fashion Research Network.
Content
List of Illustrations
Acknowledgments
Preface
Introduction
Wearing Diary 1
Chapter 1: New Shoes: Objects of fantasy, Objects of desire
Wearing Diary 2
Chapter 2: Wearing and being worn
Wearing Diary 3
Chapter 3: The dressed body in motion
Wearing Diary 4
Chapter 4: The Cleaved Garment: the maker, the wearer, and the 'me and not me' of fashion practice
Wearing Diary 5
Chapter 5: The Empty Shoe: Imprint, memory, and the marks of experience
Wearing Diary 6
Chapter 6: Encounters and affects: garments, and the memory nexus
Wearing Diary 7
Chapter 7: Worn: Imprint, attachment, and the affective encounter
Afterword
References
Notes
Index
Acknowledgments
Preface
Introduction
Wearing Diary 1
Chapter 1: New Shoes: Objects of fantasy, Objects of desire
Wearing Diary 2
Chapter 2: Wearing and being worn
Wearing Diary 3
Chapter 3: The dressed body in motion
Wearing Diary 4
Chapter 4: The Cleaved Garment: the maker, the wearer, and the 'me and not me' of fashion practice
Wearing Diary 5
Chapter 5: The Empty Shoe: Imprint, memory, and the marks of experience
Wearing Diary 6
Chapter 6: Encounters and affects: garments, and the memory nexus
Wearing Diary 7
Chapter 7: Worn: Imprint, attachment, and the affective encounter
Afterword
References
Notes
Index