
On Late Style
Music and Literature Against the Grain
Edward Said(Author)
Bloomsbury Publishing PLC
1st Edition
Published on 21. May 2007
Book
Paperback/Softback
208 pages
978-0-7475-8560-2 (ISBN)
Description
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'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books
'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times
'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi
'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian
_______________
On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books
'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times
'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi
'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian
_______________
On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
Reviews / Votes
'Said's last book is a series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' * London Review of Books * 'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' * Hanif Kureishi * 'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' * Financial Times * 'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' * Guardian *More details
Edition
1., Aufl.
Language
English
Place of publication
London
United Kingdom
Product notice
Paperback (trade)
Dimensions
Height: 198 mm
Width: 131 mm
Thickness: 15 mm
Weight
148 gr
ISBN-13
978-0-7475-8560-2 (9780747585602)
Schweitzer Classification
Other editions
Additional editions

E-Book
07/2014
1st Edition
Bloomsbury Paperbacks
€14.49
Available for download
Person
Edward W. Said (1935-2003) was born in Jerusalem, brought up in Jerusalem and Cairo, and educted in the United States. The University Professor of English and Comparative Literature at Columbia University, Said wrote twenty-one books which include the seminal Orientalism, Culture and Imperialism and most recently From Oslo to Iraq and the Roadmap also published by Bloomsbury.