
Sound and Recording
An Introduction
Focal Press
5th Edition
Published on 7. November 2005
Book
Paperback/Softback
592 pages
978-0-240-51996-8 (ISBN)
Description
This best-selling book introduces you to the principles of sound, perception, audio technology and systems. Whilst offering vital reading for audio students and trainee engineers, this guide is ideal for anyone concerned with audio, sound and recording, beginners and professionals alike.
Comprehensive and easy to understand, this fifth edition is bang up to date, with expanded information on digital audio principles, systems and applications, as well as an extensively updated chapter on MIDI and synthetic audio control.
Comprehensive and easy to understand, this fifth edition is bang up to date, with expanded information on digital audio principles, systems and applications, as well as an extensively updated chapter on MIDI and synthetic audio control.
Reviews / Votes
Praise for the previous editions:From Book News, Inc.
Rumsey (sound recording, Univ. of Surrey, England) and McCormick (a professional in audio electronics and theater sound) provide a textbook for audio engineering students, and a review for working engineers that is broad in theory and coverage but focused on the principles of audio recording and reproduction. In addition to conventional topics such as MIDI, digital audio and time code, comprehensive coverage of commonly misunderstood subjects such as the decibel, balanced lines, reference levels and metering systems is included. The fourth edition offers updated chapters on surround sound, spatial perception, DVD-A, SACD, Direct Stream Digital, MiniDisc, assignable digital mixing consoles and distributed-mode loudspeakers.Copyright (c) 2004 Book News, Inc., Portland, OR
'I rate the book very highly and use it regularly when teaching. It excels in explaining the technical side of sound recording and is a must-read for beginners and professionals alike.'
Ian Hu, Principal, School of Sound Recording, Manchester (UK)
'Not one day has passed when I haven't turned to this book. It should be renamed "Sound Recording Bible".'
A reader, Amazon.co.uk
'As a self-taught sound engineer and technician, I found the book extremely well written, easy to understand, and not biased towards a single application (such as PA or music). It has certainly helped to fill some gaps in my knowledge, particularly of why things are done in a certain way, rather than just how to do them.'
A reader, Amazon.co.uk
'Definitely the best book on recording matters I have ever read... Something more than simply an introduction, it may be of great interest to everyone concerned with audio, sound and recording.'
A reader, Amazon.co.uk
'A comprehensive and contemporary work that is eminently readable but never lightweight.'
Pro Sound News
'I can recommend that students should stay up past bedtime reading it.'
Ken Pohlmann, AES Journal
'This book will provide a vital source of information for those students or trainee engineers entering music recording.'
Studio Systems
'It provides clear and simple explanations for the basic concepts needed to understand the processes involved in recording. It also addresses most of the recent developments in surround sound and digital audio.' Jay Kadis, lecturer, Stanford University, USA
More details
Edition
5th New edition
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Edition type
New edition
Dimensions
Height: 229 mm
Width: 189 mm
Weight
1089 gr
ISBN-13
978-0-240-51996-8 (9780240519968)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Previous edition

Book
05/2002
4th Edition
Focal Press
€25.99
Article exhausted; check for reprint
Persons
Professor of Sound Recording at the University of Surrey (UK) and a Visiting Professor at the School of Music in Pitea (Sweden). Fellow of the Audio Engineering Society and a regular contributor to the AES Journal.
Formerly Deputy Head of sound at the Royal Exchange Theatre in Manchester (UK) and has since worked at Klark Teknik and the RSC.
Formerly Deputy Head of sound at the Royal Exchange Theatre in Manchester (UK) and has since worked at Klark Teknik and the RSC.
Author
Professor of Sound Recording at the University of Surrey (UK); Fellow of the AES and contributor to the AES Journal
Content
Fact file directory
Preface; What is Sound?
Auditory perception
Microphones; Loudspeakers
Mixers; Analogue recording
Noise reduction; Digital audio principles
Digital recording and editing systems
Digital audio applications
Power amplifiers
Lines and interconnection
Outboard equipment
MIDI and synthetic audio control
Time code and synchronisation
Two-channel stereo Surround Sound
Glossary of terms
Appendices.
Preface; What is Sound?
Auditory perception
Microphones; Loudspeakers
Mixers; Analogue recording
Noise reduction; Digital audio principles
Digital recording and editing systems
Digital audio applications
Power amplifiers
Lines and interconnection
Outboard equipment
MIDI and synthetic audio control
Time code and synchronisation
Two-channel stereo Surround Sound
Glossary of terms
Appendices.