Phonographic Encounters

Introduction

Part I: Negotiating Geographical and Cultural Boundaries: Intermediaries, Traders and Operators

Chapter 1. Sergio Ospina Romero, "Recording Studios on Tour: Traveling Ventures at the Dawn of the Music Industry"
Chapter 2. Andreas Steen, "Global Transfer, Local Realities: Early Phonographic Practices and Challenges in China (1900-1914)"
Chapter 3. Henry Reese, "Settler Colonial Soundscapes: Phonograph Demonstrations in 1890s Australia"

Part II: Repertoires, Auditory Practices and the Shaping of New Listening Identities

Chapter 4. Joao Silva, "Portugal and Mechanical Music in the Early Phonographic Era: An Intermedial Approach"
Chapter 5. Eva Moreda Rodriguez, "Discofils: Notes on the Birth of the Record Club and the Record Listener in 1930s Barcelona"
Chapter 6. Ulrik Volgsten, "Mediatization of Music, Musicalization of Everyday Life: New Ways of Listening to Recorded Sound in Sweden during the Interwar Years, 1919-1939"

Part III: Phonography and the Reordering of Knowledge and Sensibilities / Phonography as Ideology

Chapter 7. Karina Zybina, "Recording music, making business: The Russian recording industry at the beginning of the 20th century"
Chapter 8. Benedetta Zucconi, "'Phonographic Awareness': Recorded Sound in Early Twentieth-Century Italy between Aesthetic Questions and Economic Struggles"
Chapter 9. Britta Lange, "The Construction of "das Volk" through Acoustic Knowledge. Recordings of "Ethnic German Repatriates" from the Institute for Acoustic Research, 1940-1941"

Part IV: The Heterogeneous Geographies of Consumption

Chapter 10. Jacques Vest, "The Aesthetic of Arrest: The Victor Talking Machine Company's Ready Made Windows Program, 1909-1913"
Chapter 11. Siel Agugliaro, "The Phonograph as a Transnational Tool: Selling Music Records in Philadelphia's Little Italy, 1900s-1920s"
Chapter 12. Thomas Henry, "From the Grands Boulevards to Montparnasse: An Essay on the Geohistory of the Phonograph and Sound Recording Business in Paris (1878-1940)"

Conclusion