Signs of Masculinity
Men in Literature 1700 to the Present
Published on 1. January 1998
Book
Hardback
274 pages
978-90-420-0603-4 (ISBN)
Description
Masculinity is becoming an increasingly popular area of study in areas as diverse as sociology, politics and cultural studies, yet significant research is lacking into connections between masculinity and literature. Signs of Masculinity aims at beginning to fill the gap. Starting with an introduction to, and intervention within, numerous debates concerning the cultural construction of various masculinities, the volume then continues with an investigation of representations of masculinity in literature from 1700 to the present. Close readings of texts are intended to demonstrate that masculinity is not a theoretical abstract, but a definitive textual and cultural phenomenon that needs to be recognised in the study of literature. It is hoped that the wide-ranging essays, which raise numerous issues, and are written from a variety of methodological approaches, will appeal to undergraduate, postgraduates and lecturers interest in the crucial but under-researched area of masculinity.
More details
Series
Language
English
Place of publication
Leiden
Netherlands
Publishing group
Brill
Target group
College/higher education
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 230 mm
Width: 155 mm
Weight
490 gr
ISBN-13
978-90-420-0603-4 (9789042006034)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Antony Rowland | Emma Liggins | Eriks Uskalis
Signs of Masculinity
Men in Literature 1700 to the Present
Book
01/1998
Rodopi
€36.72
Article exhausted; check different version
Content
Emma LIGGINS, Antony ROWLAND & Eriks USKALIS: Introduction. Stephen GREGG: 'Strange Longing' and Horror' in Robinson Crusoe. Emma LIGGINS: 'Such fine young chaps as them!': Representations of the Male Criminal in the Newgate Novel. Daniel DUFFY: 'Fiends instead of men': Sarah Ellis, Anne Bronte, and the Eclipse of the Early-Victorian Masculine Ideal. Liz HEDGECOCK: 'A Man of His Day': Literary Evolution and Masculinity in George Gissing's New Grub Street. Scott MCCRACKEN: 'I am the lover and the loved- I have lost and found my identity': Edward Carpenter and fin-de-siecle Masculinities. Matthew PATEMAN: 'Coming on Strong': The Abjection of Pornography. William STEPHENSON: Sex, Drugs and the Economics of Masculinity in William Golding's Rites of Passage. Antony ROWLAND: Class and Masculinity in Tony Harrison's 'Me Tarzan' and 'V'. John MCLEOD: Men Against Masculinity: The Fiction of Ian McEwan. Eriks USKALIS: Making the 'Public' Male: Performing Masculinities, Power and Tradition in Graham Swift's Waterland and Peter Carey's The Tax Inspector.