Logic and the Art of Memory

Translator's Introduction; Preface; Preface to the second edition; I The Power of Images and the Places of Memory; II Encyclopaedism and Combinatoria in the Sixteenth Century; III Theatres of the World; IV The Imaginative Logic of Giordano Bruno; V Artificial Memory and the New Scientific Method: Ramus, Bacon, Descartes; VI Encyclopaedism and pansophia; VII The Construction of a Universal Language; VIII The Sources of Leibniz's Universal Character; Appendices; I The Liber ad memoriam confirmandam of Ramon Lull; II An anonymous vernacular treatise of the fourteenth century; III Two fifteenth-century manuscripts on the ars memorativa; IV Documents on the activities of Pietro da Ravenna; V Three late sixteenth-century manuscripts on the ars memorativa; VI Petrarch as teacher of the art of memory; VII An unpublished text by Giulio Camillo. VIII memory exercises in seventeenth-century Germany; IX The article on 'L'art mnemonique' from Diderot's encyclopaedia; X D'Alembert and 'real characters'; Notes; Index.