
Reputation Warfare
Contested Credibility in Online Platforms
Emily Rosamond(Author)
Goldsmiths, University of London (Publisher)
Will be published approx. on 1. December 2026
Book
Paperback/Softback
256 pages
978-1-915983-59-6 (ISBN)
Description
This book explores online reputation conflicts, by thinking through how they extend and 'evolve' the complex histories of credit, status, deference and battle that have long inflected how platformed reputations move and matter. It unpacks four online reputation regimes, intersections between the general opinion and conflicts over reputational value informed by long histories of capitalist reputation management. The crowd-sourced credibility regime extends consumer credit scoring histories, inviting online users to think of platformed liking and rating as steps in a crowd-sourced credit scoring algorithm. The microcelebrity regime governs status in the lives of online cultural producers, such as aspiring YouTube stars. It operationalizes status metrics, such as subscriber counts, to distinguish between paid and unpaid online cultural labour. The identity regime extends racial and patriarchal capitalisms, by ascribing users different reputational rewards, costs and risks according to identity categories. The campaigning regime describes the pervasive sense that online reputation must be fought for - whether through acts of online electioneering, public relations efforts, influencer marketing, or everyday social media posts subtly inflected with these protocols. Together, these regimes comprise a widespread state of reputation warfare, in which seemingly trivial battles over status, credibility and influence play a crucial role in shaping politics and public life.
More details
Series
Language
English
Place of publication
United Kingdom
Product notice
Paperback (trade)
Dimensions
Height: 203 mm
Width: 152 mm
Weight
368 gr
ISBN-13
978-1-915983-59-6 (9781915983596)
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Schweitzer Classification
Person
Emily Rosamond is Senior Lecturer and Head of Visual Cultures at Goldsmiths. She serves as Editor of the academic journal Finance and Society, and has published widely on financialization, reputation, character and personality in art and digital culture.