
Rosa Barba
On the Anarchic Organization of Cinematic Spaces - Evoking Spaces beyond Cinema
Hatje Cantz Verlag
1st Edition
Published on 4. December 2021
Book
Paperback/Softback
160 pages
978-3-7757-5027-1 (ISBN)
Description
Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present - a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.
ROSA BARBA (*1972, Agrigento, Italy) is an acclaimed artist who works with film. She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.
More details
Series
Language
English
Place of publication
Ostfildern
Germany
Product notice
Klappenbroschur
With flaps
Illustrations
40 Fotos bzw. Rasterbilder
40 Illustrations
Dimensions
Height: 206 mm
Width: 138 mm
Thickness: 17 mm
Weight
294 gr
ISBN-13
978-3-7757-5027-1 (9783775750271)
Schweitzer Classification
Other editions
Additional editions

Rosa Barba
Rosa Barba
On the Anarchic Organization of Cinematic Spaces - Evoking Spaces beyond Cinema
E-Book
12/2021
1st Edition
Hatje Cantz Verlag
€21.99
Available for download

Rosa Barba
Rosa Barba
On the Anarchic Organization of Cinematic Spaces - Evoking Spaces beyond Cinema
E-Book
12/2021
Hatje Cantz Verlag
€21.99
Available for download
Persons
ROSA BARBA (*1972, Agrigento, Italy) is an acclaimed artist who works with film. She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofia, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.
Content
Introduction
Chapter 1: Speculating on Astronomy and Cinema
Chapter 2: The Immatrial Medium That Articulates Space- The Camera as a Drawing Instrument
Chapter 3: Collective Performance as Embarkation: Activating the Subconscious
Chapter 4: Materiality and Machine: Looping and Fragmenting to Create a New Auditorium
Conclusion
Bibliography
Works
Colophon