
Gan's Constructivism
Aesthetic Theory for an Embedded Modernism
Kristin Romberg(Author)
University of California Press
1st Edition
Published on 22. January 2019
Book
Hardback
312 pages
978-0-520-29853-8 (ISBN)
Description
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement's chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of "making revolution." Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of "the work of art"-no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan's Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
Reviews / Votes
"Kristin Romberg delivers an earth-shattering reevaluation of the Russian constructivist discipline of tectonics in her new biography of the art movement's leading agit-man, Aleksei Gan. . . she has written such a tectonically textured testament to Gan-a book that attempts to synthetically respond to the demands of other fields external to history or Slavic studies-as might have made its protagonist proud." * H-Net * "Devotedly and dauntingly researched (ten archives combed, no page unturned, every typeface identified by font and size), convincingly argued and eloquently written." -- Yuri Tsivian, * Russian Review * "Romberg's book illuminates the past but is oriented toward the future. It exemplifies a participatory, rather than receptive, mode for critical writing. Most importantly, it recalibrates the reader's assumptions about the history of Constructivism, who makes it, and how it can be written." * ARTMargins * "What is particularly noteworthy in Romberg's account . . . is an awareness that no discussion of the Constructivist object is complete without considering, first, the changed material and social conditions for its production, including a new conceptualization of artistic labor; and, second, without allowing for its status as art, even where that term must no longer be understood, bourgeoisie-style, in terms of representation or institution." * Art Journal *More details
Edition
First Edition
Language
English
Place of publication
Berkerley
United States
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
38 b-w images, 72 color images
Dimensions
Height: 254 mm
Width: 178 mm
Thickness: 23 mm
Weight
998 gr
ISBN-13
978-0-520-29853-8 (9780520298538)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Kristin Romberg is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign.
Content
Acknowledgments
Introduction. Embedded Aesthetics and
Situated History
1. Critical Masses: Mass Action and the Prehistory of
Russian Constructivism
GAN'S CONSTRUCTIVISM
2. Gan's Constructivism: Aesthetic Theory for an
Embedded Modernism
3. Constructivist Tectonics and the Wegenerian
Revolution
4. The Typographic and Tectonic Conditions of Gan's
Constructivism
GAN'S PRODUCTIVISM
5. The Communist City: The Total Work of the
Constructivist Object
6. The Communist City, Side B: Montage and the Concrete
Human Character
7. Art in the Battle for Time: Cinematic Realism and the
Rationalization of Labor
Abbreviations for Archival Sources
Notes
List of Illustrations
Index
Introduction. Embedded Aesthetics and
Situated History
1. Critical Masses: Mass Action and the Prehistory of
Russian Constructivism
GAN'S CONSTRUCTIVISM
2. Gan's Constructivism: Aesthetic Theory for an
Embedded Modernism
3. Constructivist Tectonics and the Wegenerian
Revolution
4. The Typographic and Tectonic Conditions of Gan's
Constructivism
GAN'S PRODUCTIVISM
5. The Communist City: The Total Work of the
Constructivist Object
6. The Communist City, Side B: Montage and the Concrete
Human Character
7. Art in the Battle for Time: Cinematic Realism and the
Rationalization of Labor
Abbreviations for Archival Sources
Notes
List of Illustrations
Index