Anthropological Filmmaking
Anthropological Perspectives on the Production of Film and Video for General Public Audiences
Published on 20. July 1988
Book
Paperback/Softback
412 pages
978-3-7186-0478-4 (ISBN)
Description
First Published in 1988. Visual Anthropology is a book series devoted to the illumination of the human condition through a systematic examination of all that is made to be seen. It is our intention to demonstrate the value of an anthropological approach to the study of the visual and pictorial world. The anthropological filmmaker, just like the ethnographer, must be content to present something about a dynamic process at a particular moment in time regardless of the fact that all of the variables are constantly in flux. The purpose of this work is to make available a collection of articles by individuals who are both anthropologists and filmmakers.
More details
Series
Language
English
Place of publication
Chur
Switzerland
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 229 mm
Width: 152 mm
Weight
760 gr
ISBN-13
978-3-7186-0478-4 (9783718604784)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
J.R Rollwagen
Anthropological Filmmaking
Anthropological Perspectives on the Production of Film and Video for General Public Audiences
Book
08/2016
1st Edition
Routledge
€230.65
Shipment within 10-20 days
J.R Rollwagen
Anthropological Filmmaking
Anthropological Perspectives on the Production of Film and Video for General Public Audiences
E-Book
06/2014
1st Edition
Routledge
€225.99
Available for download
J.R Rollwagen
Anthropological Filmmaking
Anthropological Perspectives on the Production of Film and Video for General Public Audiences
E-Book
06/2014
1st Edition
Routledge
€225.99
Available for download
Person
Edited by J.R. Rollwagen State University of New York, Brockport.
Content
Introduction to the Series, Introduction, Collaboration in Ethnographic Filmmaking: A Personal View, Anthropologists and Ethnographic Filmmaking, Against Reductionism and Idealist Self-Reflexivity: The Ilparakuyo Maasai Film Project, Visual Anthropology And The Future of Ethnographic Film, Third Eye: Some Reflections On Collaboration For Ethnographic Film, SOUTHEAST NUBA: A Biographical Statement, What To Tell And How To Show It: Issues In Anthropological Filmmaking, An Interview, Gone With The Gael: Filming In An Irish Village, The Controversy About Kypseli, New Guinea In Italy: An Analysis Of The Making Of An Italian Television Series From Research Footage Of The Maring People Of Papua New Guinea, On The Making Of EZE-NWATA - THE SMALL KING, Filming As Teleological Process, Structure and Message in TROBRIAND CRICKET, Autobiographical Filming As An Ethnographic Tool. Filming the Fidencistas: The Making of WE BELIEVE IN NINO FIDENCIO, European Visual Anthropology: Filming In A Greek Village, The Role of Anthropological Theory in Ethnographic" Filmmaking, Imaging Anthropology, Choices and Constraints in Filming in Central Asia, CONTRIBUTORS, INDEX