Living in History

Reviews / Votes

Luke Roberts's Living in History is an important addition to scholarship about British poetry after World War II. Deftly weaving together archival research, personal reflection, and fresh interpretations of poems, Roberts significantly broadens our sense of the relationship between post-war British poetry and the myriad political movements that shaped it. -- Chris Nealon, Johns Hopkins University This clear and well-documented study of post-WW II British poetry also provides insights into the politics of this period. [...] This expansive discussion includes various US poets and British poets, including Kamau Brathwaite-a Barbadian poet and academic widely considered one of the major voices in the Caribbean literary canon-and feminist poets. Class, gender, and identity politics are central to his study, as are some major conflicts, such as the Balkans war, the Vietnam War, and more recent events, including the George Floyd uprisings and the protests over the war in Gaza. Social movements like Black Lives Matter are approached with parallel emphasis on literary movements, including the avant-garde. There are also many references to modernist poets such as Yeats, Eliot, Williams, and Pound. Roberts's chosen poets all participate in what he calls "social antagonism" against capital and imperialist entities.

Summing Up: Recommended. -- B. Wallenstein, emeritus, CUNY City College * CHOICE * The signal achievement of Living in History is indicated by Roberts's subtitle: this is a study of Poetry in Britain, rather than British poetry, a demarcation that provides the book's guiding anti-state critique of colonial heritage, racist border policy, sexist and homophobic legislation, and carceral capitalism. It is a compelling organizational strategy that ensures Roberts's narrative flows with a freshness rarely afforded to the academic discussion of poetry. [...] Living in History is welcome not only in terms of its scholarly achievement, but in terms of its commitment to the 'inexhaustible and intractable demands' made by the poetry it cares about. -- Joe Luna, University of Sussex * The Review of English Studies *